A New Kind of Horror

Pop Lit Fiction

MONSTERS AND GOBLINS are products of the imagination. Reflections of our irrational minds.

What happens in an electronic world which overstimulates the brain to ever-higher levels of panic and hysteria? When media infiltrates our every waking and sleeping thought?

THESE QUESTIONS and others are raised in D.C. Miller’s intense, pop-tinged speculative novel, Dracula Rules the World and Mark Zuckerberg Is His Son. With his permission we’re able to present, in time for the mad pagan holiday of Halloween, five excerpts from the book.

Are the monsters inside us– or outside in the world?

Caught in the same chain of spaces, back and forth, between my apartment and the office, always facing a screen, as if I was trying to outstare it, it had gradually become unclear when I was inside the headset and when I was outside it.

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(Painting: “Vampire” by Edvard Munch.)

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Cooler Writers?

Pop Lit Fiction

–in which we continue Part III, “The Young Writers,” of our overview of today’s literary scene, “Hyper-Talents of the New Literary Age.” Continue reading the essay here, as we’ve added commentary about the second of four young writers to be profiled, Eli Cranor. THEN read Eli’s excellent short story about the teaching profession, “Five Minutes.”

As you’ll see, the question posed during this part of the essay is, “Can writers become cultural stars?” Our answer to the question is a resounding “YES!”– but we acknowledge it won’t be easy. Every cultural force has its beginnings. With the Beatles it was dive clubs in Liverpool and Hamburg. With revived literature, it might be right here. . . .

Mr. Koontz first few weeks at school had involved very little details. Instead there were a lot of situations like this: a large blonde woman sits down in front of you and she has a daughter, they look nice enough, but you can’t remember the girl’s name, not even a detail like her name.

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(Painting: “The Fate of the Animals” by Franz Marc.)