A POP LIT POTPOURRI
We’re out to create literary tornadoes. Toward that end we point the reader to three new-or-recent posts at this project.
FIRST we have a new feature, “Tornado Country” by poet John Grey. Two very good poems for your reading pleasure.
and cars, long and proud and American made
explode like firecrackers in the heat of day,
and some small town like Millville is razed like it’s Babylon,
SECOND, we did a short “Pop Quiz” Q & A with the author of our previous feature, Transhumanist Presidential candidate Rachel Haywire.
THIRD, a return of our NPL News blog with a quick look at Lana DelRey and a possible? connection to future literary stars, “Reverse Jekyll and Hyde.”
Must reading to stay current with the Pop Lit literary scene.
(Art: “Tornado Over Kansas” by John Steuart Curry.)
CUTTING EDGE OF THE CUTTING EDGE
We live in dystopian times. Our mad society is on the verge of major technological upheavals. A host of new writers are caught up in the current sense of frantic energy– writing or philosophizing clamorously in attempts to capture that energy before it consumes everything.
As often as not this results in politics as performance. Ideas as style.
Case in point: the multifaceted career of Transhumanist Party candidate Rachel Haywire. From her campaign website:
This includes her radical political journey from the far left to the dissident right to beyond the center, her artistic and bohemian upbringing, her visionary transhumanist ideas, and her plans to defeat Trump using a pirate spaceship.
Rachel Haywire is a cultural futurist, industrial musician, model, designer– and writer, with a distinctive neopop style that combines artistic clarity with dystopian edge, as featured in her book/manifesto called The New Art Right.
We’re fortunate to present an excerpt from that book, “The Kingdom.” Fitting for New Pop Lit to follow a nonfiction essay by a Hollywood producer with fiction by a Presidential candidate. Part of our determination to take an active part in popular culture. Wherever that takes us.
The future is NOW.
When she blew it all up I stood there in awe, wondering if we could ever get back to The Kingdom. Pixels burning like the flesh of the old human race, a new era was about to begin. Each wire collapsing, the holocaust of machines did not ask us to just “click here” any longer.
(Art: “The City Rises” by Umberto Boccioni; “Flora” by Gerardo Dottori.)