NEW POETRY 2020
POETS traditionally have written about their relationship with nature– undoubtedly because it’s when we’re in nature, communing with the actual world, that the music of poetry comes naturally into our heads. The oldest art? The art most attuned to the rhythms of the world and the universe. Or the mind of the universe.
Our first poetry feature of the new decade spotlights that relationship: “Into the Depths of the Trees” by C.A. Shoultz. We hope you like it.
I wandered further, past the noise of cars,
Until great silence came around my ears,
And I could feel the hairs raise on my neck. . .
(Featured art: “The Park at Carrieres-Saint-Denis” by Georges Braque; “The Forest” by Natalia Goncharova.)
WE’RE EXCITED to present our first feature of the new decade– a subtly hilarious tale by GD Dess, “The Bayside Blonde,” about a blonde and a telephone. A telephone and a blonde. A dangerous combination! Presented as a puzzle of personality. An investigation.
I’ve never been married, but I came this close. Charlie. He was my man. He was the one. He was a bit like my father. Gallant. Sophisticated. He said he had waited all his life for me. He wanted to marry me. Have kids with me. We got engaged. Then he woke up with a back ache one morning, and three weeks later he was dead. I was devastated. I buried him. He’s with the lord now. We’re only here as a guest, G. When our time is up, it’s up. It’s not my fault.
(ART: “Girl Before a Mirror” by Pablo Picasso.)
Read and follow NEW POP LIT. . . .
ANOTHER blonde with a telephone:
ANOTHER GOLDEN DECADE?
THE LAST iteration of the Twenties became famous for its writers– who defined the times. The literary art reigned as the most important cultural happening.
The name of the era was popularized by American novelist F. Scott Fitzgerald as “The Jazz Age.” He and his talented and flamboyant wife Zelda embodied the era.
The decade also saw the formidable debut of another literary star from the American Midwest, that unassuming individual Ernest Hemingway– who was to become the most renowned American author of all.
THE QUESTION is whether our decade, the 2020s, will see a revival of the art– so that literary fiction becomes once again glamorous and popular.
At New Pop Lit we’ll be doing everything we can to ensure this takes place.
(Art: “Cubist Composition” by Nadezhda Udaltsova; “Where There’s Smoke There’s Fire” by Russell Patterson.)
NEW SHORT FICTION
WE ARE HERE at the end of another year bombarded with holiday cheer most of it forced many of us stressed to the max– so we thought we’d present new fiction which reflects a little of the reality of life today. The story is “Hangnail” by Alex Olson. Noteworthy about the story is how well Olson accomplishes what should be one of the objectives of new-style fiction: creating momentum and pace. Pace fueled by anger? So be it! Makes for a compelling, onrushing read.
You’re in a zone, a slim area between suicidal and manic, a hangnail sliver of delicious madness where you feel you can take on the world and kill yourself at the same time, all with a grin on your face. You thrive in this zone, this is your home–
(Art: “Anger” by Hans-Siebert von Heister; “The Wolves” by Franz Marc.)
AT A TIME of year when many of us are facing winter’s fury or at least cold gray skies trudging through bleak landscapes and simultaneously being bombarded with the cultural family social pressures bad music of the Christmas holidays, what could be more escapist than love in Naples?
Our new feature story aims toward exactly that, “The Date” by Robert Steward.
We hope you enjoy it!
I looked at her, at the way her mouth went, and the curve of her cheekbones, at her bluey-green eyes, the flecks of amber round her pupils, and at the way her hair fell over her eyes.
She caught me looking at her, and I felt something in the air between us, something pure, intense; it made me shiver inside.
(Art: “Eruption of Vesuvius” by Alessandro Sanquirico.)
OUR 2019 PUSHCART PRIZE NOMINATIONS
AS WE ARE at present strictly a bootstrap, “pushcart” enterprise (with plans to dramatically change that standing), we appreciate the intent behind the annual Pushcart Press Pushcart Prize collections. Being able to nominate a few of the quality writers who publish work with us is one of the great blessings we receive from running this literary project.
WE BELIEVE our site is particularly in synch with the Pushcart spirit– not solely because of our small size, but also because we’re endeavoring to create a new model for both short fiction and poetry. A model not only different from standard “Big Five” publishing, but from the kind of work featured in more established literary magazines and included in such anthologies.
ANYWAY, here are our 2019 nominations. We invite you to click on the links to the work, and read or reread the nominated pieces.
(Art: Graffiti in Ann Arbor, Michigan.)
Colder weather is upon us! Sooner than anyone expected. Which means it’s a good time for reading. At New Pop Lit we have several options for the discriminating reader.
FIRST is our new feature story, “Pretty Women Never Sit Next to Me on Airplanes” by Jason Feingold, a much-published short story writer making his first appearance with us. As its title indicates, it’s a quick tale about traveling. As so many of you will be traveling somewhere in the coming weeks, with the holidays nearly upon us, we believe you’ll find the story timely.
Age fourteen was my last good year. I’d peaked, and I never realized it until about fifteen minutes ago, because fifteen minutes ago is when I realized I’ll never have a renaissance.
WE ALSO offer a review of a controversial new book by Dana Schwartz, The White Man’s Guide to White Male Writers of the Western Canon. Does the book live up to the controversy?
FINALLY, we have at our NPL News blog (which presents the latest literary news, uncensored) an editorial about this past week’s layoffs at Bustle magazine. The editorial is bold. Don’t be thrown by it. As an upstart literary project with large ambitions, confidence in our project is the first requirement.
(Art by Heinrich Campendonk.)
WITH Halloween upon us– leaves changing color, weather becoming chilly– do our dreams change? Do they fill with dreads and shadows, specters from other worlds? Are they frighteningly real– more real than reality itself?
For this Halloween we have a story which explores these notions, about a boy, and his parents, and a house. . . .
The story by Joel Allegretti is “The Obb.”
It flapped its arms like a crow’s wings. Alex screamed, and it was gone. He heard footsteps pounding through the hall. His mother flipped the wall switch. The sudden light shocked his eyes.
NOTE: We also have recorded poetry from Joel Allegretti at our ongoing Open Mic feature, with another Allegretti audio poem soon to follow.
(Art: “Skeleton Stopping the Masks” by James Ensor; “Head of a Skeleton” by Vincent van Gogh.)
BEST NEW WRITERS DEPARTMENT
ONE of the premises of the New Pop Lit project is that a pool of overlooked talent exists in this world, this society. Overlooked for a variety of reasons– lack of connections, or correctness, or proper credentials. Or simply because of an unwillingness to conform to dictates of the institutional mob, whether those dictates be ideological or aesthetic.
OUR mission is to showcase such writers. One of the best of them without question is Brian Eckert. To come to that conclusion all one need do is read his writing– consistently of high quality. As with this excerpt from his short novel, Into the Vortex. A story about a journalist investigating the West who discovers a canyon seemingly beyond time and space.
In spite of my skepticism I began seeing signs of architecture on the rock. I made out an ornate window framed in metallic blue with a holographic patina. I also saw a hieroglyphic-like depiction of what appeared to be a flying saucer. But as I looked closer I saw only rock.
(Main painting: watercolor copy by Nina Degaris Davies of an Egyptian wall painting )