AS our goal is to move further toward the experimental in 2022, we offer as our first feature of the year some experimental (or at least alternative) poetry, “The Alternative Top 40” by Charles March.
One may have to read the lines over a few times to fully “get” them– the poem has its own rhythm unnoticeable at first glance, but present. Subliminal. There.
We hope you enjoy it!
WHILE we plan to publish at this site a number of more traditional offerings of fiction and poetry, we also hope to showcase several more experimental works– how we define experimental. Meaning, in some way pop, but going beyond the merely entertaining and readable. It’s what we’re looking for anyway!
In the meantime, at our News blog we’ve posted two 2022 Announcements– here and here— about where we are as an ambitious literary project and what’s going on. Stay informed– we’re moving into new territory.
2021 FICTION-POETRY RECAP PART TWO
THE YEAR’S OVERVIEW CONTINUES
America versus the Nazi war machine at the Battle of the Bulge– “The Deserters.”
A stripper working at a dive bar– “West Columbus.”
A young couple surviving the pandemic– “People Ruin Everything.”
The trials of online dating– “Symmetry.”
A whirlpool of surprise and terror– “The Boiling Point of Placid Water.”
Reflections of an aging mind– “The Age of Insomnia.”
The queen of storms– “The Sea At Night.”
An unusual man drops from the sky– “Cloud Dreams.”
A would-be superhero appears– “Waiting for the Superhero.”
2021 RECAP PART ONE
A mysterious party–
“The Names Divine.”
ARE fast food poems pop? Or art?
“The Jimmy Johns Poem Collection.”
Love and romance–
“Love Poetry/Prose from Tom Preisler.”
A vivid slice of old-fashioned Americana–
A story which asks, “What would you do?”
“Sorry For Your Loss.”
What makes a person a celebrity? What turns them into a star?
Poetry with energy and rhythm–
“Two Poems by Mather Schneider.”
A vibrant time when everything changed artistically–
Pop culture experiences in the real world–
“Two Short Pop Pieces by Andrew Sacks.”
MORE TO COME!
EXPERIMENTS IN FICTION
Call it montage, or the 3-D or multidimensional story, or literary polyphony, the point remains the same: To get away from the linear, one point-of-view, one-tense format in short story writing, which allows for little variety. The solution? To innovate.
Our new feature, “Waiting for the Superhero”— about a man trying to survive in a tough urban landscape– is an attempt to do so. The story plays with viewpoint– to increase angles– and with time. The trick is to do this without hindering the flow of the narrative. Indeed, if well utilized, the technique will increase drama and pace.
Putting fragments of writing together– like editing film– isn’t simple, but opens up endless creative possibilities. Expect to see us go way beyond what we’re showing to date. Just saying.
He moved into the basement of a nearby vacant building. The several-storied structure was in receivership; kept by the bank which owned it in a modicum of shape. There, Ernesto created a cave. An escape. A small window, easily pried, provided access.
The first night he noticed a visitor in the form of a pair of green eyes. A cat.
In daylight he realized the cat was more or less black. Ernesto adopted its guise. So garbed, in the evening he became invisible, blending into the night.
(Art: “Night Over the City” by Otto Dix.)
HELLO! We’ve revived our book review/book chat blog to feature a brilliant review by Ross Taylor, of an amazing new book by avant-garde musician Robyn Hitchcock.
Ever since John Lennon mentioned marmalade skies (or since Robert Johnson said a woman is like a dresser) songwriters have embraced modernist jive. Robyn Hitchcock hasn’t chased the spotlight as much as some, but he has been a serious and hilarious practitioner of said jive since before punks walked the earth. His lyrics have always had the violent density of poets. . . .
(We’re also looking for other top-notch short reviews or very short essays. Contact us at newpoplitDOTgmailDOTcom if you have an idea for one.)
p.s. Also check out the latest post at our News blog– “Where’s the Literary Underground?”
(Painting: “Woman Reading” by Henri Matisse.
TALL TALES AND OTHER FICTION WRITING TECHNIQUES
WATCH some of recently-deceased comedian Norm Macdonald’s more extended jokes like “The Moth” and you realize he’s carrying on a North American tradition dating back to Mark Twain– or maybe Washington Irving: the tall tale. Stories related around a campfire– or, in cities, under a street lamp. The idea being to hook the reader at the outset, then keep the reader on the hook until the final conclusion, which sometimes is surprising but all the time satisfying.
TODAY we present a tale by one of the more talented and imaginative writers around, Zach Smith, making his second appearance with the New Pop Lit project. His new story, “Cloud Dreams,” could be called magic realism, but it’s also something of a yarn, a tall tale, one which presents an unusual premise and takes that premise to its logical(?) conclusion.
What is that conclusion? Read the story and find out!
In the morning the enormous man was wide awake, and showing no sign of hostility. Had he been used to hospitals before? Probably not, a man of that size would most assuredly be in the medical books, and figuring out who he was would have been easy, but there was no record. He was a full foot taller than the tallest living man, four inches taller than the tallest man in medical history, and their bodies had been severely damaged.
(Painting: “Summer Clouds” by Emil Nolde.)
We just wanted you to get the message that we have new feature poetry by Daniel Miller, “The Sea At Night,” up here at our main site, but also an audio version by Daniel himself at our Open Mic.
the queen of storms
sends sleepless nights
(Painting: “Storm Over the Black Sea” by Ivan Aivazovsky.)
THIS IS a question we hope to ask more often in coming months and perhaps provide answers– with the knowledge the short story is marginalized in the culture or at least fallen from its once-lofty station one hundred years ago when everyone in America was reading them and new story writers like F. Scott Fitzgerald were celebrities.
WILL the art become like string quartets or live theater– property of a set group of Insider cognoscenti based in select artistic capitals, with tiny groups of imitators scattered across the country, sharing their sacred texts like monks keeping an archaic cultural form scarcely alive? In what ways can it change? Is its regeneration doable– can a few Dr. Frankenstein mad scientists in artistic laboratories generate electricity through the monster’s body, and thereby rejuvenate it?
We don’t know. Odds against the idea are steep. We only know that in future days we’ll be looking for stories which look different. Which try new things, no matter how offbeat or quirky.
TODAY we present a short story which looks and sounds different from the norm, “The Age of Insomnia” by Christopher Landrum. Not a linear story so much as a painting you look at and try to take in as one impression, with allusions to law, to literature, and to maybe the short story itself.
Father was a lawyer. The idea that all the cases and statutes of the law can be read together as some grand story sounds like a childish cliché—but what I wonder these nights is, can a story somehow be law?
WE HAVE other thoughts about art and the short story in a post at our NPL News blog, here.
ALSO be sure to see what we’re doing new with our print issues, here.
DURING THIS our Summer Reading Festival we’ve already run two of the best stories which could be found anywhere that inhabit the literary end of the pop-lit spectrum. Today we have a short story more on the pop end, “The Boiling Point of Placid Water” by Andrew Hughes.
In groping for new ways to write a short story, one of the variables to be considered is a story’s pace. This particular tale runs with the racing speed of a turbocharged vehicle, propelling the reader forward and not letting go until the conclusion. Are elements sacrificed? Interiority? Detail? Possibly– but remember as with an Impressionist painting, the mind fills in details based on its own experience. As compensation in the meaning department, we have the story’s inescapable political context. Also, with Puerto Rico, a distinct sense of place. Minimal trade-off for what’s gained.
The sum of it all is the creation, in a mere 2500 words, of a nightmarish world where nothing is stable or predictable. A whirlpool of surprise and terror. Kind of like the world we’re living in now.
Enjoy the experience!
“This is a bad idea,” said Guzman. They were dressed in their finest suits in the back of a limo.
“Carlos, this is what we’ve been waiting for.”
“José, he’s going to deny having any deals with Shell and you’re going to look like a colluder and bang, your public base is gone.”
“We have documents proving the connection.”
“Fuck your documents,” said Guzman.
(Featured art: “Force of a Curve” by Tullio Crali.)