Sweet Spring

Pop Lit Fiction

We’re near the end of spring– early enough for cool summer reading as heat descends upon the landscape.

Questions: Are there forces in the universe beyond our understanding? Does a talisman actually work?

These questions are asked in our new story, “Sweet Spring” by Scott Cannon, one of our favorite writers. If you want an enjoyable read, this is it!

It was dark within, but I thought I saw something pale in the heart of it. I was shoulder deep in the roots when I heard you ask if I found anything. My hand closed on something cool and smooth, and I drew it out.
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(Painting: “Springtime in Giverny” by Claude Monet.)

Experiments in Pop

Pop Lit Fiction

THE FUTURE is in fiction and poetry written with clarity and conciseness. Short and to the point. Read quickly but meaningfully on an app.

Toward that end, we present a short short by our own Kathleen M. Crane, “Aloha from Detroit Revisited.” Set in Detroit’s punk rock scene near the end of the millennium, it’s a replay of an earlier tale by K.M.C., “Aloha from Detroit”– the title work in her e-book short story collection. “Revisited” presents a different perspective on the same events. Providing a different angle. A more rounded look.
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We’re based in Detroit, where we hear and read much about how the auto companies– not known for being cutting edge– have to adapt to the technologies of the 21st Century. How moreso literature!– whose Manhattan mandarins operate with the mindset of the 19th.

As lit moves onto new platforms like smart phones and e-books, the style of writing itself has to adapt and change. Slow-paced thoughts won’t work. Word-clotted writing is dead– whether from James Joyce or Joyce C. Oates; Jon Franzen or the acolytes of David Foster Wallace. In ten years the heavily-lauded writers of the present will be obsolete.

They already are. Writing is changing, via flash fiction and pop poetry. We’re at the forefront of that change.

He wondered who was dealing Rick, after his warnings. He shrugged. Rick was an adult. He glanced at Rick, pale and slumped under his black mohawk at the end of the bar. Sure, an adult.

Turmoil at New Pop Lit?

All-Time American Writers Tournament

SOME turmoil anyway as we experiment with our All-Time American Writers Tournament to see how alive or dead interest in historical American writers is in this crazed nation. Who’ll stand out?

We’ve announced our first two selections. See what you think.

We’ll keep the Tournament chiefly at our Interactive and News  blogs– while we soon get back on track posting current fiction, book reviews, and the like. Stick with us!

(Email tourney suggestions to newpoplit@gmail.com.)

Pop Lit Style

Pop Lit Fiction

We’re stylists. We look for writers who are creating what we consider to be pop lit style. That elusive hybrid that’s both “pop” and “literature.”

One of the best of them is Calder Lorenz. His story for us, “The Good Road Gone,” has elements of noir combined with a terse style and a sense of the literary. Pop writing that means something. We think you’ll like it.

He heard the car door. He looked at the clock on the windowsill: 3:04. He smiled at that. He got the rifle and then he loaded the clip. He wore a gold medal around his neck: St. Anthony. It was a gift. Something lucky he’d gotten before he’d gone off.

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(Also read our News blog notice on Calder’s just-released novel.)

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Art by Sonia Delaunay.

 

Pushing Artistic Bounds

Pop Lit Fiction

We make the point again and again. In this noisy age literature in all its forms has to change. To become far more exciting– within the culture; to the general populace.

In Part III of our overview, “Hyper-Talents of the New Literary Age,” we’ve profiled young writers who bring new perspectives to fiction. Who have the talent to reinvent the art. Few fit this designation better than Jess Mize, who’s been making noise across a variety of upstart lit sites. We have an excerpt from Jess’s novel-in-progress. Fittingly, the story is about reinvention.THEN stay tuned for a new profile of Jess and her writing, due in a few days.

At New Pop Lit, the future is NOW.

The young boy learned in one fell swoop of his powers and of the neurotic, mysterious trance of performance art. It was like seeing lightning strike a natural object right in front of your eyes, the electrical force penetrating your mind and becoming a live, vibrating current in the conduit of your brain waves.

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(Art by Jean Metzinger.)

Cooler Writers?

Pop Lit Fiction

–in which we continue Part III, “The Young Writers,” of our overview of today’s literary scene, “Hyper-Talents of the New Literary Age.” Continue reading the essay here, as we’ve added commentary about the second of four young writers to be profiled, Eli Cranor. THEN read Eli’s excellent short story about the teaching profession, “Five Minutes.”

As you’ll see, the question posed during this part of the essay is, “Can writers become cultural stars?” Our answer to the question is a resounding “YES!”– but we acknowledge it won’t be easy. Every cultural force has its beginnings. With the Beatles it was dive clubs in Liverpool and Hamburg. With revived literature, it might be right here. . . .

Mr. Koontz first few weeks at school had involved very little details. Instead there were a lot of situations like this: a large blonde woman sits down in front of you and she has a daughter, they look nice enough, but you can’t remember the girl’s name, not even a detail like her name.

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(Painting: “The Fate of the Animals” by Franz Marc.)

 

The Young Writers: Overview Part III

Feature, Pop Lit Fiction

Our series on new happenings in today’s literary world continues. “Hyper-Talents of the New Literary Age.”

Part III looks at the new generation of writers– literature’s hope and future. We were going to call this section “The Lost,” as a nod to the Lost Generation of the 1920’s, a huge influence on a couple of the best young writers we’ll be featuring. We decided that designation was too downbeat. We’re optimists. We might as likely call this section “The Found”– talented individuals who found writing as their preferred means of expression, when they might instead have been painters or musicians or movie directors.

(Of course, there are no longer painters; musicians are reduced to the atonal or electronic, the human element cut out. Movies? Are there still movies to speak of? The Academy Awards are this weekend, and by all accounts contain not an outstanding crop.)

No, the future belongs to writers– to new literature. We kick off this part of our overview with a new story by Samuel Stevens, “Greener Country Grass.” This will be followed by new work by three other young talents, as fast as we can ready and post them.

Despite his youth (he’s still in college), Samuel Stevens is a thinker, essayist, and novelist, as well as writing in the shorter form. Definitely a name on the literary scene for years to come. Read his story now.

“Do you have a lot of money like Ray?” one of them asked.

She took me aback. “No,” I said. Ray did come from a well off family. The girls were all a little drunk; Loeb must have been keeping them supplied while I talked to the bartender. I pulled up a chair and sat down.

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(Painting: “The Red Tower” by Robert Delaunay.)

Portraits: Lit Overview Part II

Feature

WHY the photo of the Tesla Motors vehicle which has been breaking speed records? Because THAT’S what we at New Pop Lit are about. We started this project to reinvent the literary art. To find or produce literary products faster, cleaner, more efficient and more exciting than the norm.

We believe the literary art has to change and will change. We see contemporary American literature trapped in a “salon” mentality– centered on one east coast island, within five monster conglomerates housed in overpriced skyscrapers, publishing only strictly correct and approved writers.

Things already are changing! 2017 marks the existence of scores of upstart literary outfits such as ours– and many thousands of DIY authors who don’t apply the “rules” because they never heard of the rules. Yes, much of the work is mediocre or worse– but at the same time, room is created for the new. For the arrival of the VanGogh-Gaugin self-motivated genius who’ll go so far outside the bounds, art will be overturned. A writer who’ll break all artistic speed records– or maybe, go into untrod areas in the creation of meaning and emotion.

This has begun to happen, in small ways. The purpose of our series, “Hyper-Talents of the New Literary Age,” is to showcase writers who’ve pushed right up to the bounds of literary creation, and in so doing, point the way to truly revamped and renewed stories and poems.

Among the writers we discuss is Anne Leigh Parrish, who’s appeared here before. We’re privileged to present her latest story, “Picture This.” Clarity? Simplicity? Emotion? Anne Leigh touches the right chords.

We discuss Ms. Parrish and those right artistic chords at our News blog in Part II of our Overview. Enter the literary future. Read both story and overview now.

He’d grown up with three brothers and two sisters, a house full of noise and misery, hatred and resentment, never able to have his own space. That’s why he became an artist—the lure of escape.

 

Storytellers

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NEW LITERARY TALENTS PART I

Today we start an ambitious series examining a new wave of talented writers. Our plan is to combine literary criticism, reviews, and new fiction for a multi-faceted look at American literature NOW; utilizing as many aspects of the New Pop Lit website as possible.

First up: The opening installment of a far-reaching overview, “Hyper-Talents of the New Literary Age.”

AT THE SAME TIME we present for readers a new short story, “Yacht Party,” from Scott Cannon, one of two narrative writers profiled in our essay, along with Tom Ray.

yacht-1

Does Scott’s story support the words expressed in the essay? You decide!

The scene froze at its climax; a spotlight haloed the head of the actor playing Lucas on the screen, then swept to the back of the room to light up the incandescent entrance of The Man himself, flanked by two beautiful women and followed by a small cadre of security. The thunder of the ovation in the packed ballroom as he ascended to the podium still rang in Lucas’ ears.

 

Elusive Instinct

Pop Lit Fiction

TODAY we present a short but striking tale by brilliant new talent Ana Prundaru, whose poems, stories, and art have begun appearing across the globe. Which causes us to facetiously ask: Who is Ana Prundaru? Is this a cover name for an entire team of writers and artists able to produce, on whim, work notable for its sense of immediacy; of now? It’s the sense captured, we feel, in  “Elusive Instinct.” Read it and find out!

We danced through the fluorescence, edging somewhere between snaking seductively toward the bartender and giving each other crap for almost falling over. All this time I could feel his eyes on me. The tall guy who had interrupted me seemed to follow my every move and there was heaviness in the room. . . .

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Speaking of new talents, in one week we begin an ambitious series focused on the sudden rise in our post-literate age of individuals whose work screams, “Not yet! Writing still matters! Literature has not yet lost its importance.”

We’re here to announce that importance. The series is tentatively, ambitiously, hyperbolically titled “Hyper-Talents of the New Literary Age.” It’ll start at sixty miles-per-hour then really kick into gear as we present what’s happening beneath the narrowed gaze of establishment gatekeepers. Stay tuned.