BEST NEW WRITERS DEPARTMENT
ONE of the premises of the New Pop Lit project is that a pool of overlooked talent exists in this world, this society. Overlooked for a variety of reasons– lack of connections, or correctness, or proper credentials. Or simply because of an unwillingness to conform to dictates of the institutional mob, whether those dictates be ideological or aesthetic.
OUR mission is to showcase such writers. One of the best of them without question is Brian Eckert. To come to that conclusion all one need do is read his writing– consistently of high quality. As with this excerpt from his short novel, Into the Vortex. A story about a journalist investigating the West who discovers a canyon seemingly beyond time and space.
In spite of my skepticism I began seeing signs of architecture on the rock. I made out an ornate window framed in metallic blue with a holographic patina. I also saw a hieroglyphic-like depiction of what appeared to be a flying saucer. But as I looked closer I saw only rock.
(Main painting: watercolor copy by Nina Degaris Davies of an Egyptian wall painting )
At New Pop Lit we’re continually on the lookout for new talent combined with striking personality– recognizing that talent is often if not always the expression of personality.
WE’RE AWARE and we’ve been aware for some time that the literary scene needs “stars.” It needs personas, BIG, bigger-than-Hemingway personalities, dramatic figures crafting unorthodox unpredictable fictions or poems taking the literary art in new directions, to new heights.
IN THIS ongoing search we have today two possible future literary earthshakers.
Our new featured fiction, “The Hunting Cabin,” is by Brian Eckert, one of the best independent short story writers on today’s scene– independent in the sense of not writing to please take-no-chances Manhattan magazine editors, or even paint-by-the-numbers university professors. Eckert writes for the unseen artistic conscience. His story is three-dimensionally honest. More rounded, with more depth– puzzles and questions– than usual literary fare.
WE ALSO have, along with Brian’s perspective, an equally powerful but quite different viewpoint from talented poet Kristin Garth, who’s been getting much attention lately across the internet, and who has kindly offered New Pop Lit a short recording for our ongoing Open Mic. Her poem is called “Kristins.” We believe you’ll find it striking.
We try to be a window on new literature!
(Paintings: “Matterhorn” by Edward Theodore Compton; “Window with Orange Curtains” by Robert Delaunay.)
A REMINDER that when we choose to we can push the edges of the usual, if not the acceptable, as far as anyone, due to our underground roots and DIY from-the-bottom viewpoint on all things cultural.
AS EXAMPLE we have our recently-posted feature story, “Cat Doctor” by mysterious on-the-arts-margins D.C. Miller, holding a mirror up to the clean and smug of today’s approved intellectual world.
THEN there’s our newly-placed book review of a new work by indie press figure Tony Nesca at our book chat blog.
FINALLY we have our ongoing Open Mic, with a reading of a striking poem by Brian Eckert along with other dynamic spoken word performances– with more to come.
(Art: “Accolade” by Edmund Blair Leighton.)
What makes a good short story?
Conciseness, crisis, atmosphere, character– along with insight on human nature and the world. Above all the tale must be compulsively readable. Our new feature story “The Little Prince” by Brian Eckert embodies all of this. A thunderstorm and a curse– can the self-possessed “prince” get out of his dilemma?
Really what Greg wanted was to be left alone, to his devices—and as he got older, his vices. His aloofness was what others found distasteful about him. There was a mark of royalty on a man who preferred to be alone. Others felt diminished in his presence.
Also keep up-to-date on our exclusive coverage of the All-Time American Writers Tournament! #4 bracket seedings coming soon.
(Painting: “Starry Night Over the Rhone” by Vincent Van Gogh.)