We could call this week’s feature “Portrait of a Young Detroit Guitarist.” We’re privileged to run excerpts from an exciting new novel by a New York City photographer. “Frisky Moser” (his pen name) was once in a Detroit rock band, and has now penned a fictionalized-and-fresh version of events, “Jack Strat and His Baby Blues.”
Lately there’s been an influx of talented New Yorkers– artists, entrepreneurs, edge-seekers– into Detroit, as the Motor City continues its comeback. The aptly-named Frisky is evidence it’s a two-way interchange.
She started putting on makeup, mostly working her lashes and lips, checking me out as I was sitting on the couch with my guitar in my lap. I could see her stealing glances at me in the mirror. We were alone.
Art: “Harlequin with Guitar 1919” by Juan Gris.
With the fiction and at our Features page you’ll find actual photos of Jack– and his boots.
(Also keep up-to-date with the All-Time American Writers Tournament.)
Did pop literature exist in the past?
Absolutely! Our latest bracket selections for the big Tournament include two of the most famous, hugely popular, world-renowned writers ever— both American– in the persons of Jack London and Edgar Allan Poe. From the days when the most fascinating, charismatic, or crazy persons in society became writers. (Which made for fascinating reading.)
Another selectee, Emily Dickinson, could be called a pop poet. The fourth, Tennessee Williams, a pop playwright? That’s stretching it.
Does their work hold up?
Read Jack London’s terrific story “Lost Face” and find out.
–in the foundations of the world was graved this end for him– for him, who was so fine and sensitive, whose nerves scarcely sheltered under his skin, who was a dreamer, and a poet, and an artist. Before he was dreamed of, it had been determined that the quivering bundle of sensitiveness that constituted him should be doomed to live in raw and howling savagery–
PART OF OUR MISSION at New Pop Lit is to present the most powerful fiction we can find, from the best new writers. We fulfill that mission with our newest short story, “The Fetus,” by Clint Margrave. It’s a tale of high school and bullying, but it’s more than that. Art’s task is to give us the complexity and confusions of life; of our crazy, cruel, three-dimensional world.
The bell rang and Mr. Schlosser asked us to open our textbooks to the introductory chapter.
“Biology is the study of living things,” he said. “One of the central questions we’ll be exploring this semester is what does it mean to be alive?”
(Artwork: “Still Life” by Juan Gris.)
p.s. Also stay up on the All-Time American Writers Tournament!
Pynchon and Hemingway? Could two writers be more dissimilar, yet, as slightly cracked and original American authors, so much the same?
First, see the latest Appreciation, this one by D. Greenhorn, at the All-Time American Writers Tournament.
HEMINGWAY DAY REVISITED
Second, as today is Ernest Hemingway’s 118th birthday, we invite readers to partake again of last year’s festivities, with discussion of his reputation here, and our “Searching for Hemingway” travelogue here. (An Appreciation of Hem by Samuel Stevens is upcoming next week.)
We have much new stuff upcoming, including terrific new fiction from Clint Margrave, Wred Fright, Anne Leigh Parrish, and other familiar and unfamiliar names. Plus other surprises.
Until then, enjoy July– when dogs are sleeping, editors are lazy, and everyone should be reading New Pop Lit, the stay-cool literary site.
NOW we’ve stepped into it! Two literary controversies at one time, both of them connected to the All-Time American Writers Tournament. (We’ve been offering exclusive coverage of the tourney here.)
FIRST is the seldom-discussed matter of T.S. Eliot. Where lies his allegiance? America or Britain? Is Eliot considered a British poet– or an American one? Where should lie our allegiance? Contribute to the discussion, if you dare– should you care– here.
SECOND, we believe we’ve thrown new and historic light on the friendship between the two biggest names in American literary history, Ernest Hemingway and F. Scott Fitzgerald. How deep went their feud? WAS Scott a passive actor– a simple punching bag; on the receiving end of Ernest’s shots and scorns– as our nation’s most esteemed lit critics seem to believe? Or did Fitzgerald get his shots in against one-time protégé Hemingway– not once, but twice?
Are we prepared to take on the entire U.S. lit-crit establishment over this issue?
Read about the matter here.
State-of-the-art thinking about writing and writers, letters and words, only at New Pop Lit.
(Public domain image of Ritz Bar in Paris with photo of Scott Fitzgerald.)
Welcome to summer! No heavy reading this week– only some light summer poetry courtesy of Ray McKenzie, “Supermoon Eclipse.” About two people doing what maybe all of us want to be doing. . . .
There’s a glowing full moon to view tonight as I type this– though no eclipse. (A solar eclipse is coming in August.)
Black stars crawl across
her face like so many leaves
scattered by the wind.
ALSO: Due to summer heat, writer vacations and hunting trips and such, we’ve taken a brief pause from the All-Time American Writers Tournament. It’ll be back here soon.
The American scene today is saturated in politics. FBI CIA NSA antifa alt-right movements parties investigations spies recordings informants everyplace.
Though it sometimes resembles a comedy routine, this is fertile ground for the writer. An endless series of fictional possibilities present themselves. We’re back in Edgar Wallace days, where all plot scenarios become believable. Maybe likely.
Samuel J. Stevens explores one of those scenarios in a short, dryly humorous piece aptly titled, “The Vast Conspiracy.” Another in our explorations of the artistic fusion of “pop” and “literary.”
They did not look like the thugs he’d seen in old Bureau files. They looked indistinguishable from the trendy hipster kids that populated the Village and Williamsburg, the only difference being they wore suits.
LOS ANGELES has long been the most extreme example of American excess. Many writers have tried to capture SoCal’s special vibration; its captivating mix of ethnicity, cars, class, color/weather/nature jammed together like an expressionist painting come alive. One of the best writers on the subject is Robin Wyatt Dunn– who appeared in our modest first New Pop Lit print issue with a terrific story about Los Angeles. Now he’s given us another one, “Travelogue,” full of reality and imagination. A journey through L.A., but also, perhaps, through somewhere else. A Robin Dunn story is always a unique experience. Don’t miss this one!
Here in the Big Sleep there is no moon, so the sea is tideless. However, it does move. Creeping tendrils of water you will find anywhere along it, shimmering in the darkness. I have walked along Seaside on many a moonless night.
Speaking of California, be sure to read D.C. Miller’s Appreciation of Philip K. Dick, part of our ongoing All-Time American Writers Tournament.
(Painting: “Herbstlandschaft mit Booten” by Wassily Kandinsky.)
#2 Tournament Seeds
Make that Four GREAT American Writers. . . .
With our latest entrants into the big Tournament, discussed here, we have something to displease everyone. We live in hysterical times when everyone across the ideological spectrum is displeased by something.
Reminder: We’re still one America. There yet exists that magical idea known as American literature; best expression of the American Dream– as we argue in the essay accompanying our announcement.
But: Another Big Four. What do you think of them? Anyone among the Four to love? Anyone to hate?
there’s no “white” literature or “black” literature, or this division or that one. There’s only American literature.
THE FUTURE is in fiction and poetry written with clarity and conciseness. Short and to the point. Read quickly but meaningfully on an app.
Toward that end, we present a short short by our own Kathleen M. Crane, “Aloha from Detroit Revisited.” Set in Detroit’s punk rock scene near the end of the millennium, it’s a replay of an earlier tale by K.M.C., “Aloha from Detroit”– the title work in her e-book short story collection. “Revisited” presents a different perspective on the same events. Providing a different angle. A more rounded look.
We’re based in Detroit, where we hear and read much about how the auto companies– not known for being cutting edge– have to adapt to the technologies of the 21st Century. How moreso literature!– whose Manhattan mandarins operate with the mindset of the 19th.
As lit moves onto new platforms like smart phones and e-books, the style of writing itself has to adapt and change. Slow-paced thoughts won’t work. Word-clotted writing is dead– whether from James Joyce or Joyce C. Oates; Jon Franzen or the acolytes of David Foster Wallace. In ten years the heavily-lauded writers of the present will be obsolete.
They already are. Writing is changing, via flash fiction and pop poetry. We’re at the forefront of that change.
He wondered who was dealing Rick, after his warnings. He shrugged. Rick was an adult. He glanced at Rick, pale and slumped under his black mohawk at the end of the bar. Sure, an adult.