Pop Lit Style

Pop Lit Fiction

We’re stylists. We look for writers who are creating what we consider to be pop lit style. That elusive hybrid that’s both “pop” and “literature.”

One of the best of them is Calder Lorenz. His story for us, “The Good Road Gone,” has elements of noir combined with a terse style and a sense of the literary. Pop writing that means something. We think you’ll like it.

He heard the car door. He looked at the clock on the windowsill: 3:04. He smiled at that. He got the rifle and then he loaded the clip. He wore a gold medal around his neck: St. Anthony. It was a gift. Something lucky he’d gotten before he’d gone off.

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(Also read our News blog notice on Calder’s just-released novel.)

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Art by Sonia Delaunay.

 

Pushing Artistic Bounds

Pop Lit Fiction

We make the point again and again. In this noisy age literature in all its forms has to change. To become far more exciting– within the culture; to the general populace.

In Part III of our overview, “Hyper-Talents of the New Literary Age,” we’ve profiled young writers who bring new perspectives to fiction. Who have the talent to reinvent the art. Few fit this designation better than Jess Mize, who’s been making noise across a variety of upstart lit sites. We have an excerpt from Jess’s novel-in-progress. Fittingly, the story is about reinvention.THEN stay tuned for a new profile of Jess and her writing, due in a few days.

At New Pop Lit, the future is NOW.

The young boy learned in one fell swoop of his powers and of the neurotic, mysterious trance of performance art. It was like seeing lightning strike a natural object right in front of your eyes, the electrical force penetrating your mind and becoming a live, vibrating current in the conduit of your brain waves.

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(Art by Jean Metzinger.)

Future Style

Pop Lit Fiction

At New Pop Lit we’re on a mad search for future writing styles– and for new styles for writers themselves. We foresee a changed literary landscape where writers’ personas are inseparable from their work. Once, writers were public figures. They deserve to be so again.

Which brings us to Lauren N. Jackson, third of our “Young Writers,” part of an long examination of literature today which we’re calling “Hyper-Talents of the New Literary Age.” The four examples we’re using are each extremely talented, albeit in markedly different ways.

Are there commonalities between the four of them? Yes!

First, their writing styles are striking and economical. A Pop Lit requirement.

Second, all of the four convey a sense of unease, even bewilderment, at the world before them.

This is the case with Lauren N. Jackson’s entry in our series, “The Spore Guild.”

Does art equal madness, and madness art? Read her tale and decide for yourself.

(THEN read commentary on Lauren and her writing, as we add to our “Hyper-Talents” essay. Be sure to scroll down.)

Now the question I’ve finally allowed on my lips is – what’s out there? What haunts us, hunts us, destroys us? How much longer do we have? Will I go truly mad? What if I already am? Perhaps my whole reality has shifted in my head and I only think I’m living my true life.

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(Art: “The Revolt” by Luigi Russolo.)

Portraits: Lit Overview Part II

Feature

WHY the photo of the Tesla Motors vehicle which has been breaking speed records? Because THAT’S what we at New Pop Lit are about. We started this project to reinvent the literary art. To find or produce literary products faster, cleaner, more efficient and more exciting than the norm.

We believe the literary art has to change and will change. We see contemporary American literature trapped in a “salon” mentality– centered on one east coast island, within five monster conglomerates housed in overpriced skyscrapers, publishing only strictly correct and approved writers.

Things already are changing! 2017 marks the existence of scores of upstart literary outfits such as ours– and many thousands of DIY authors who don’t apply the “rules” because they never heard of the rules. Yes, much of the work is mediocre or worse– but at the same time, room is created for the new. For the arrival of the VanGogh-Gaugin self-motivated genius who’ll go so far outside the bounds, art will be overturned. A writer who’ll break all artistic speed records– or maybe, go into untrod areas in the creation of meaning and emotion.

This has begun to happen, in small ways. The purpose of our series, “Hyper-Talents of the New Literary Age,” is to showcase writers who’ve pushed right up to the bounds of literary creation, and in so doing, point the way to truly revamped and renewed stories and poems.

Among the writers we discuss is Anne Leigh Parrish, who’s appeared here before. We’re privileged to present her latest story, “Picture This.” Clarity? Simplicity? Emotion? Anne Leigh touches the right chords.

We discuss Ms. Parrish and those right artistic chords at our News blog in Part II of our Overview. Enter the literary future. Read both story and overview now.

He’d grown up with three brothers and two sisters, a house full of noise and misery, hatred and resentment, never able to have his own space. That’s why he became an artist—the lure of escape.

 

Storytellers

Feature

NEW LITERARY TALENTS PART I

Today we start an ambitious series examining a new wave of talented writers. Our plan is to combine literary criticism, reviews, and new fiction for a multi-faceted look at American literature NOW; utilizing as many aspects of the New Pop Lit website as possible.

First up: The opening installment of a far-reaching overview, “Hyper-Talents of the New Literary Age.”

AT THE SAME TIME we present for readers a new short story, “Yacht Party,” from Scott Cannon, one of two narrative writers profiled in our essay, along with Tom Ray.

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Does Scott’s story support the words expressed in the essay? You decide!

The scene froze at its climax; a spotlight haloed the head of the actor playing Lucas on the screen, then swept to the back of the room to light up the incandescent entrance of The Man himself, flanked by two beautiful women and followed by a small cadre of security. The thunder of the ovation in the packed ballroom as he ascended to the podium still rang in Lucas’ ears.

 

Elusive Instinct

Pop Lit Fiction

TODAY we present a short but striking tale by brilliant new talent Ana Prundaru, whose poems, stories, and art have begun appearing across the globe. Which causes us to facetiously ask: Who is Ana Prundaru? Is this a cover name for an entire team of writers and artists able to produce, on whim, work notable for its sense of immediacy; of now? It’s the sense captured, we feel, in  “Elusive Instinct.” Read it and find out!

We danced through the fluorescence, edging somewhere between snaking seductively toward the bartender and giving each other crap for almost falling over. All this time I could feel his eyes on me. The tall guy who had interrupted me seemed to follow my every move and there was heaviness in the room. . . .

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Speaking of new talents, in one week we begin an ambitious series focused on the sudden rise in our post-literate age of individuals whose work screams, “Not yet! Writing still matters! Literature has not yet lost its importance.”

We’re here to announce that importance. The series is tentatively, ambitiously, hyperbolically titled “Hyper-Talents of the New Literary Age.” It’ll start at sixty miles-per-hour then really kick into gear as we present what’s happening beneath the narrowed gaze of establishment gatekeepers. Stay tuned.

Dry Bones

Pop Lit Fiction

WE KICK OFF 2017 with new fiction by Sonia Christensen, “Dry Bones.”The story is accompanied by an interview with Sonia at our News blog, in which she tells us whether or not there’s a back story to this unusual tale.

Sonia Christensen is part of a wave of terrific new short story writers. We’ve been privileged to showcase some of the best of  them. These are exciting times to be involved with the literary game– best of all for those who enjoy reading stories.

He’s told her that he would help her bury the cat if she wanted him to. He said that the first time they walked by and she pointed it out and said, oh god it’s still there. But there’s a traumatic cat incident in her past so instead what they do is cross the road whenever they’re nearing the cat, so they don’t have to get too close and they don’t have to look. But Luke always looks.

(Painting by Theodore Gericault.)

Year-End Wrap-Up

Announcement

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The first task of any upstart literary outfit is to survive. We’ve accomplished this for another year– but we want more. In 2017 we plan to give you more. A lot more.

In the meantime, read our year-end  review News Report of our 2016 activities at our News blog.

Also be sure to read our final Fun Pop Poem of 2016, “Exploitation of Subtlety” by multi-talented artist/writer Dan Nielsen.

Thanks to one and all!

 

Suffering, Suicide, and Immortality

Pop Lit Fiction

THERE HAS ALWAYS BEEN a strong connection between madness and genius. Between “mental illness” and art, exemplified in the careers of talented-but-troubled individuals from painter Vincent van Gogh to poet Sylvia Plath to rock musician Kurt Cobain. Could it be that the sensitivity which attunes them closer to the mind of the universe than other people– that allows them to “see” and express things the rest of us can’t see, also makes it too painful for them to live? Does their genius itself push them toward thoughts of suicide?

These thoughts are occasioned by our newest feature story, “Suffering, Suicide, and Immortality,”by Jess Mize. Ms. Mize writes fiction and poetry as edgy as any we’ve seen, anyplace. It doesn’t always make for comfortable reading, so be forewarned on what’s coming. We can’t ignore, however, that it’s particularly at this time of year, a time of bleak weather combined with the expectations of the holiday season, that the thoughts of many turn to suicide. Many have been there on one occasion or other, and so, perhaps, can identify with the troubled character in this powerful story.

My second attempt at suicide happened two years later. I had just quit my job at the dry cleaners. I had no ambitions, no motives, only a red and black despair that clouded over my every thought and action, a red and black despair like the closing of Joyland at night.

Past Present

Pop Lit Fiction

A bottle of water? Why do we use to illustrate our new feature a bottle of water? What does the story, “Past Present” by Lori Cramer have to do with a bottle of water?!

Read the quick tale about relationships/new husbands/ex-boyfriends/domestic crises and find out.

The next noise isn’t a knock at all; it’s a thump, a fist pounding against the door. I jump up from the couch.