THIS IS a question we hope to ask more often in coming months and perhaps provide answers– with the knowledge the short story is marginalized in the culture or at least fallen from its once-lofty station one hundred years ago when everyone in America was reading them and new story writers like F. Scott Fitzgerald were celebrities.
WILL the art become like string quartets or live theater– property of a set group of Insider cognoscenti based in select artistic capitals, with tiny groups of imitators scattered across the country, sharing their sacred texts like monks keeping an archaic cultural form scarcely alive? In what ways can it change? Is its regeneration doable– can a few Dr. Frankenstein mad scientists in artistic laboratories generate electricity through the monster’s body, and thereby rejuvenate it?
We don’t know. Odds against the idea are steep. We only know that in future days we’ll be looking for stories which look different. Which try new things, no matter how offbeat or quirky.
TODAY we present a short story which looks and sounds different from the norm, “The Age of Insomnia” by Christopher Landrum. Not a linear story so much as a painting you look at and try to take in as one impression, with allusions to law, to literature, and to maybe the short story itself.
Father was a lawyer. The idea that all the cases and statutes of the law can be read together as some grand story sounds like a childish cliché—but what I wonder these nights is, can a story somehow be law?
WE HAVE other thoughts about art and the short story in a post at our NPL News blog, here.
ALSO be sure to see what we’re doing new with our print issues, here.
Hello! We continue New Pop Lit‘s Summer Reading Festival with another excellent feature story that could/should be in The New Yorker (which I keep mentioning because it’s the only venue which still pays big $$$ for fiction, but this will change). The new story in question is “Symmetry” by Emil Birchman— another reason I mention that magazine in Manhattan is because our new feature has similarities to “Cat Person” by Kristen Roupenian, the only short story published anyplace the last ten years which made a cultural impact. Birchman’s story is also about an awkward, budding relationship, but is better written and more subtle. In it’s own way, like a three-dimensional image in which one can see different things, based on viewpoint.
We ask the question: What do you think of this story? How do you take the ending? What really happened or is happening?
Among other themes, “Symmetry” is about online dating, and more, what phones, computers, and the internet do to relationships and the perception of reality. But let us know what you think.
Fifteen minutes later, they found themselves in the local park synonymous with M.’s dating profile. For some reason, the scenery didn’t have the vibrancy of the pictures. The leaves were green, and pollen clung to the air. But her images weren’t edited, that was for sure. No filters, photoshop or other picture editing shenanigans. And the scenery, the movements on the pond’s surface and the breeze pressing against the foliage were all real. The only difference was the absence of his own filter. . .
ALSO, be sure to stop by our POP SHOP to peruse the joys of non-online reading. Is there anything more exciting than finding a wonderful new publication, full of colors and stimulating reading, in your mailbox?
(Art: “A Girl Reading” by Pablo Picasso.)
TODAY we present a slice-of-life story by Alex Law, “West Columbus,” about a young woman working as a stripper in a dive bar in a bleak neighborhood of that name. Life in America today? Is the story social commentary? Or merely a great short read?
Maybe it’s just literature— writing of rounded reality and depth which can encompass a number of meanings and viewpoints. Read it for yourself and see.
She ignores him. She isn’t afraid. His casual, daylight misogyny couldn’t be more boring. She lets the silence eat him alive. Bite by bite. Eventually his testosterone fades under the uncomfortable sideways glances from other passengers. He and his stink go away. Every bus Cadie has ever been on has men like this.
(Featured art: “Nude Woman Reading” by Robert Delaunay.)