THIS IS a question we hope to ask more often in coming months and perhaps provide answers– with the knowledge the short story is marginalized in the culture or at least fallen from its once-lofty station one hundred years ago when everyone in America was reading them and new story writers like F. Scott Fitzgerald were celebrities.
WILL the art become like string quartets or live theater– property of a set group of Insider cognoscenti based in select artistic capitals, with tiny groups of imitators scattered across the country, sharing their sacred texts like monks keeping an archaic cultural form scarcely alive? In what ways can it change? Is its regeneration doable– can a few Dr. Frankenstein mad scientists in artistic laboratories generate electricity through the monster’s body, and thereby rejuvenate it?
We don’t know. Odds against the idea are steep. We only know that in future days we’ll be looking for stories which look different. Which try new things, no matter how offbeat or quirky.
TODAY we present a short story which looks and sounds different from the norm, “The Age of Insomnia” by Christopher Landrum. Not a linear story so much as a painting you look at and try to take in as one impression, with allusions to law, to literature, and to maybe the short story itself.
Father was a lawyer. The idea that all the cases and statutes of the law can be read together as some grand story sounds like a childish cliché—but what I wonder these nights is, can a story somehow be law?
WE HAVE other thoughts about art and the short story in a post at our NPL News blog, here.
ALSO be sure to see what we’re doing new with our print issues, here.