POP!

Pop Fiction

WE PRESENT not just pop lit, but sometimes straight pop, on our path toward true “fusion” fiction. No less a personage than Jonathan Franzen has claimed to have a similar goal– except that in his ultra-long novels there’s less entertainment value than in a single story by Alan Swyer– and less than one-tenth the heart.

Doubt it? Read Alan’s new tale “Country Sweetheart” to see what the pop lit revolution is about.

Writers are reinventing the short story art! We’ve been covering this in our ongoing series, “Hyper-Talents of the New Literary Age.” In conjunction with running Alan’s story we present Part IV of the series at our News blog. This section is devoted to– what else?– pop writers.

Grab the New!

“When the world gets weird, instead of doing a Dusty Springfield –”

“A what?”

“‘Wishing And Hoping’ that things’ll change, you’ve got to do something so that you’re who’s changing.”

“That what you do?”

“It’s what I’m doing.”

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Real Life in Flash Fragments

flash fiction

AT ITS BEST flash fiction gives you real life in short bursts. Could one say the effect, from an artistic standpoint, is cubist? Sample two new flash pieces by Andrew Sacks to see. One story’s about a marriage. The other, about a job interview. Fast-but-sharp reading.

Miles had always tried to compensate by a self-confidence bordering on bluster. Certainly not a bully, he did in fact seem to intimidate many people, or at least put them on their heels a bit, by his overriding assertiveness and swagger. His belief in himself was absolute. . . .

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We’ve also tweaked our “Young Writers” essay, including the fourth profile, of Jess Mize. Are these four writers the future of literature? Do they point a way forward for the literary art– bringing new imagination, charisma, and talent? Read the essay. We’ll be spotlighting other young writers in coming months.

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(Painting by Juan Gris.)

Vigorous Pop

Pop Fiction

To demonstrate our ongoing commitment to pop fiction we present as feature a new Norbert Kovacs story, “The Fight.”  American literature became thoroughly American when it became thoroughly vigorous– expressing the tough lives and harsh environment of the American landscape. Back in the days when American lit, via writers like Jack London and Rex Beach, was thoroughly populist– not simply a plaything for generously-educated elitists in Brooklyn wine bistros or Manhattan drawing rooms.

We believe you’ll find the Kovacs story a far cry from that refined lifestyle! (Incidentally, when we continue our Overview of new literature, we’ll address the “Pop” side of the pop lit equation– this story a preview.)

Bruises colored his chest like dark blue medallions. His shoulder received a scarlet gash from a punch that had torn him. Mort strained to stand up under McCurdley’s new blows. He had to tell himself to fight. Deliver, he thought. Hit. He lunged and swung.

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(Painting by Fyodor Bronnikov.)

 

Pop Lit Style

Pop Lit Fiction

We’re stylists. We look for writers who are creating what we consider to be pop lit style. That elusive hybrid that’s both “pop” and “literature.”

One of the best of them is Calder Lorenz. His story for us, “The Good Road Gone,” has elements of noir combined with a terse style and a sense of the literary. Pop writing that means something. We think you’ll like it.

He heard the car door. He looked at the clock on the windowsill: 3:04. He smiled at that. He got the rifle and then he loaded the clip. He wore a gold medal around his neck: St. Anthony. It was a gift. Something lucky he’d gotten before he’d gone off.

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(Also read our News blog notice on Calder’s just-released novel.)

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Art by Sonia Delaunay.

 

Cooler Writers?

Pop Lit Fiction

–in which we continue Part III, “The Young Writers,” of our overview of today’s literary scene, “Hyper-Talents of the New Literary Age.” Continue reading the essay here, as we’ve added commentary about the second of four young writers to be profiled, Eli Cranor. THEN read Eli’s excellent short story about the teaching profession, “Five Minutes.”

As you’ll see, the question posed during this part of the essay is, “Can writers become cultural stars?” Our answer to the question is a resounding “YES!”– but we acknowledge it won’t be easy. Every cultural force has its beginnings. With the Beatles it was dive clubs in Liverpool and Hamburg. With revived literature, it might be right here. . . .

Mr. Koontz first few weeks at school had involved very little details. Instead there were a lot of situations like this: a large blonde woman sits down in front of you and she has a daughter, they look nice enough, but you can’t remember the girl’s name, not even a detail like her name.

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(Painting: “The Fate of the Animals” by Franz Marc.)

 

The Young Writers: Overview Part III

Feature, Pop Lit Fiction

Our series on new happenings in today’s literary world continues. “Hyper-Talents of the New Literary Age.”

Part III looks at the new generation of writers– literature’s hope and future. We were going to call this section “The Lost,” as a nod to the Lost Generation of the 1920’s, a huge influence on a couple of the best young writers we’ll be featuring. We decided that designation was too downbeat. We’re optimists. We might as likely call this section “The Found”– talented individuals who found writing as their preferred means of expression, when they might instead have been painters or musicians or movie directors.

(Of course, there are no longer painters; musicians are reduced to the atonal or electronic, the human element cut out. Movies? Are there still movies to speak of? The Academy Awards are this weekend, and by all accounts contain not an outstanding crop.)

No, the future belongs to writers– to new literature. We kick off this part of our overview with a new story by Samuel Stevens, “Greener Country Grass.” This will be followed by new work by three other young talents, as fast as we can ready and post them.

Despite his youth (he’s still in college), Samuel Stevens is a thinker, essayist, and novelist, as well as writing in the shorter form. Definitely a name on the literary scene for years to come. Read his story now.

“Do you have a lot of money like Ray?” one of them asked.

She took me aback. “No,” I said. Ray did come from a well off family. The girls were all a little drunk; Loeb must have been keeping them supplied while I talked to the bartender. I pulled up a chair and sat down.

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(Painting: “The Red Tower” by Robert Delaunay.)

Portraits: Lit Overview Part II

Feature

WHY the photo of the Tesla Motors vehicle which has been breaking speed records? Because THAT’S what we at New Pop Lit are about. We started this project to reinvent the literary art. To find or produce literary products faster, cleaner, more efficient and more exciting than the norm.

We believe the literary art has to change and will change. We see contemporary American literature trapped in a “salon” mentality– centered on one east coast island, within five monster conglomerates housed in overpriced skyscrapers, publishing only strictly correct and approved writers.

Things already are changing! 2017 marks the existence of scores of upstart literary outfits such as ours– and many thousands of DIY authors who don’t apply the “rules” because they never heard of the rules. Yes, much of the work is mediocre or worse– but at the same time, room is created for the new. For the arrival of the VanGogh-Gaugin self-motivated genius who’ll go so far outside the bounds, art will be overturned. A writer who’ll break all artistic speed records– or maybe, go into untrod areas in the creation of meaning and emotion.

This has begun to happen, in small ways. The purpose of our series, “Hyper-Talents of the New Literary Age,” is to showcase writers who’ve pushed right up to the bounds of literary creation, and in so doing, point the way to truly revamped and renewed stories and poems.

Among the writers we discuss is Anne Leigh Parrish, who’s appeared here before. We’re privileged to present her latest story, “Picture This.” Clarity? Simplicity? Emotion? Anne Leigh touches the right chords.

We discuss Ms. Parrish and those right artistic chords at our News blog in Part II of our Overview. Enter the literary future. Read both story and overview now.

He’d grown up with three brothers and two sisters, a house full of noise and misery, hatred and resentment, never able to have his own space. That’s why he became an artist—the lure of escape.

 

Elusive Instinct

Pop Lit Fiction

TODAY we present a short but striking tale by brilliant new talent Ana Prundaru, whose poems, stories, and art have begun appearing across the globe. Which causes us to facetiously ask: Who is Ana Prundaru? Is this a cover name for an entire team of writers and artists able to produce, on whim, work notable for its sense of immediacy; of now? It’s the sense captured, we feel, in  “Elusive Instinct.” Read it and find out!

We danced through the fluorescence, edging somewhere between snaking seductively toward the bartender and giving each other crap for almost falling over. All this time I could feel his eyes on me. The tall guy who had interrupted me seemed to follow my every move and there was heaviness in the room. . . .

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Speaking of new talents, in one week we begin an ambitious series focused on the sudden rise in our post-literate age of individuals whose work screams, “Not yet! Writing still matters! Literature has not yet lost its importance.”

We’re here to announce that importance. The series is tentatively, ambitiously, hyperbolically titled “Hyper-Talents of the New Literary Age.” It’ll start at sixty miles-per-hour then really kick into gear as we present what’s happening beneath the narrowed gaze of establishment gatekeepers. Stay tuned.

Dry Bones

Pop Lit Fiction

WE KICK OFF 2017 with new fiction by Sonia Christensen, “Dry Bones.”The story is accompanied by an interview with Sonia at our News blog, in which she tells us whether or not there’s a back story to this unusual tale.

Sonia Christensen is part of a wave of terrific new short story writers. We’ve been privileged to showcase some of the best of  them. These are exciting times to be involved with the literary game– best of all for those who enjoy reading stories.

He’s told her that he would help her bury the cat if she wanted him to. He said that the first time they walked by and she pointed it out and said, oh god it’s still there. But there’s a traumatic cat incident in her past so instead what they do is cross the road whenever they’re nearing the cat, so they don’t have to get too close and they don’t have to look. But Luke always looks.

(Painting by Theodore Gericault.)

Suffering, Suicide, and Immortality

Pop Lit Fiction

THERE HAS ALWAYS BEEN a strong connection between madness and genius. Between “mental illness” and art, exemplified in the careers of talented-but-troubled individuals from painter Vincent van Gogh to poet Sylvia Plath to rock musician Kurt Cobain. Could it be that the sensitivity which attunes them closer to the mind of the universe than other people– that allows them to “see” and express things the rest of us can’t see, also makes it too painful for them to live? Does their genius itself push them toward thoughts of suicide?

These thoughts are occasioned by our newest feature story, “Suffering, Suicide, and Immortality,”by Jess Mize. Ms. Mize writes fiction and poetry as edgy as any we’ve seen, anyplace. It doesn’t always make for comfortable reading, so be forewarned on what’s coming. We can’t ignore, however, that it’s particularly at this time of year, a time of bleak weather combined with the expectations of the holiday season, that the thoughts of many turn to suicide. Many have been there on one occasion or other, and so, perhaps, can identify with the troubled character in this powerful story.

My second attempt at suicide happened two years later. I had just quit my job at the dry cleaners. I had no ambitions, no motives, only a red and black despair that clouded over my every thought and action, a red and black despair like the closing of Joyland at night.