Fall Fiction 2024

AN ALL-NEW SHORT STORY!

HOSPITALS are places all of us will have experience with at some point in our lives– whether in them as patients ourselves, or through visiting friends, relatives, and loved ones. They’re like throbbing mass organisms with endless bustling activity which to us appears incomprehensible. Who organizes this hectic madness? How do they get things done? Yet they get a lot done, amid tremendous drama.

Our new feature story, “The Memorial” by Brent King, presents some of the drama. Brent has been in the business, so to speak, and knows these places. He does a great job conveying that knowledge, and the emotion which goes with it. The question, though, is what you the reader think.

Check it out!

Tina and I were working together that day. She got the intubation equipment together while I started working on a central line and the nurses started CPR and then got the Lucas set up to compress Sophie’s chest. I knew it was Sophie lying on that gurney and briefly I thought of all the times we’d seen her in the department; tried to get her into rehab, but I pushed all of that down deep and focused on the steps of getting the line and on keeping my breathing steady.

Time and Art

Pop Lit Fiction

ANYONE interested in figuring out an art form’s place within a society, a culture, a civilization, begins thinking about such things as waves and cycles, growth, peaks, plateaus and declines, as if everything’s on a long-term rollercoaster-style chart. The universe pulses and breathes, as does every part of it. Far be it for our tiny human brains to understand the patterns or plan– but we try. A key part of this modest project is understanding where literature is— where it’s been and may possibly be going. Determine that, and we might just own the literary future. In the same way, maybe, Brian Epstein saw a raw working-class band performing in a smoky underground club in Liverpool, England, and realized that he witnessed the future of popular music.

One writer we’ve published, Zach Smith, writes imaginative stories centered around ideas of time, space, aging– and about the universe itself. His newest story, “Millennia After Millennia After Millennia,” which we’re running as our newest feature, delves speculatively into those questions as much as anything we’ve seen from him. We hope you find it entertaining and thought-provoking!

“One hundred years ago, we took off from the launchpad of Quark. Our planet was dying, and we set forth with all the raw materials we needed to build a new society on a planet in the Zygorch Star system. The starship was a wonder, the pinnacle of what our society could create. She was covered fore and aft with panels that drew power directly from the stars, sails that could ride the wind of the stars, and twenty-seven rockets to blast her off the planet. We called her the Eringostar.”

The old man took a sip of his whiskey, a drink he claimed to invent, the recipe a secret he shared with few, as the potion was quite powerful.

More Human Fiction!

Pop Lit Fiction

SHORT STORIES written by human beings? What will they think of next!

We have a good one. Short, but full of humanity. A robot wouldn’t get it. But we think even hard-to-please Count Leo Tolstoy of What Is Art? fame would enjoy this one. Joe Del Castillo, who we’ve featured before, returns with a neat little tale, a piece of artistry, of humanity: “The Witnesses.”

NOW, horrify the soulless robots and their clueless backers by reading it. Thanks! You’ll do your small part in keeping humanity– and art– alive in this increasingly mad society.

“My grandmother says they’re feeble minded.”

“I think collecting the Sunday donations is all they are capable of.”

“Be kind, the parish relies on them.”

He leaned over and kissed Moira’s cheek.

May Day Fiction

Pop Lit Fiction

WHAT’S HAPPENING?

A LOT OF STORIES are happening in America right now, from coverage of overseas wars to college encampments as symbols of unrest and dissent. In our opinion the chief story in this country is the widening gulf between rich and poor in America. A wealth gap of a kind that’s never been seen, not even in the robber baron days of the late 19th century. Today’s ruthless $200 billion-and-counting robber barons, Musk, Gates, Bezos, Zuckerberg and company make the previous kind look like unambitious storekeepers.

As our newest featured fiction we have a short story which gives us a look at what’s happening, “The Unhoused Gift” by Peter R. West, via characters on both sides of the equation. The story is set in Southern California.

I have a sister who lives in California. She keeps me informed on what’s happening, has said the state is a model for what will soon enough happen in the rest of the country. (I tell her there already are increasing numbers of homeless where we live.) Rising rents and cost-of-living; more unhoused people. “Your state’s going to turn into Brazil,” I say, about a country long known for its extreme wealth gap. “It already has,” my sister replies. Anyway, please read the new story and see what you think!

Like a bird of prey, Stanley Newman swooped down the curvy road that connected his Los Angeles hilltop mansion to the sprawling city below. The grin on his face grew bigger as he listened to a news report recounting how his client had walked away from the tabloid-covered trial. Stanley used every trick he’d developed over twenty-five years of legal scheming in the often-sensational Los Angeles criminal scene to help another big fish escape the hooks of justice.

February Fiction

Pop Lit Fiction

CREATIVITY: What is it? Sometimes it’s presenting a new way of looking at things, a new angle, new viewpoints. Merging genres or mixing styles. Or contrasting, as with our new feature story– “Molasses” by Bud Sturguess— comedy and tragedy. A look at the Titan submersible disaster of 2023 and reactions to it. The story is really about: us. Humanity, with all our flaws, quirks, ambitions and foolhardiness which make us the unique– or uniquely foolish– creatures we are.

Creativity is the goal of this project. Which means offering entertainment to readers, but at the same time, varied vantage points on art, life, writing. Anyway, we hope you enjoy the story!

Whenever I heard of the Great Molasses Flood, I used to grin and think, “how do you not outrun molasses?” It must have looked like a scene from Ghostbusters II, the evil slime oozing down streets and tunnels. I mean, molasses is used as a metaphor for slowness; how could anybody fail to escape a “flood” of it? Or did big fat globs of syrup rain down from the sky and trap whoever they landed on, like a mosquito in an amber fossil?

XXX

ON OTHER FRONTS, we hope to soon revive our Open Mic blog, with new ideas planned for it. In the meantime, we’re offering a short, energetic piece of music there by Ben Macnair: “Fat Chaffinch.” A signal of the energy which will be coming to this site.

Crazy New Fiction

Pop Lit Fiction

While we have much going on with this project, including a petition against Artificial Intelligence and the beginnings of a new site designed to compete with this one, today we provide an interlude with an entertaining new short story: “Yak… Yak… Yak…” by David Sheskin.

We asked ourselves: “Can we find a short story unpredictable enough in every aspect of its plot that no chatbot could ever copy, preempt or prompt it?”

As we were pondering this, David Sheskin’s story appeared in our Inbox.

We can’t give away too much, other than the story is mostly– though not exclusively– set in a classroom, and involves a college professor.

Is it an accurate depiction of college professors?

We’ve known some eccentric ones, so we won’t ponder that. We only hope you read the story and enjoy it.

It is hard for me to imagine how they can be so bold. Both of them are barely passing my course and today I am discussing linear equations, a topic I have promised will be dealt with in detail on the next test. But somehow these two don’t care. Or perhaps they do, and the reason they continue to chatter is that they share a common delusion — that certain college professors, specifically one Vernon Yam, don’t give ladies who attend class anything below a C in their course, even if the parties in question happen to be babblers.

Human Fiction

Pop Lit Fiction

WITH IMMENSE CHANGE happening or about to happen at all levels of the literary and publishing worlds with the advent of A.I.-generated texts, at New Pop Lit we’re thinking about what’s important in our modest project. What do we wish to say or accomplish in coming months?

MOST IMPORTANT for us is the ideal of human creativity. Publishing the very best fiction and poetry– which we’ve been doing– while exploring new ideas of deep learning of human beings instead of deep learning of machines. Ideas counter to those of plutocrats pumping billions of dollars into ever-more advanced, ever-more insane technologies.

OUR LATEST example of excellent fiction not generated by bots is our new feature, “The View from a Window of the House on the Embankment” by Mark Marchenko. A story about the old Soviet Union– its author calls it “an alternative history fiction piece”– but maybe also a story about today. We hope you like it.

When the knock came at the door, Georgy was standing with his hands at the windowsill, gazing out of the window. Grey sky hung over Moscow. Before his eyes was ground covered with autumn splashes of orange and red, the square that was named after Repin (it was in 1958 when the monument to Ilya Repin, a Russian realist painter, was built on Bolotnaya Square; in 1962 the square was renamed Repin Square) just a couple of months ago, withered grass awaiting the first snow, a band of water, and the walls of the Kremlin. A river, slow, almost black, under his feet.

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(ALSO, the “Save the Writer!” petition calling for labeling of A.I.-generated books– a modest ask– is ongoing. Please read and consider signing. 441 readers and writers have done so to date. Thanks!)

Beyond the Boundaries

Pop Lit Fiction

THE APPEAL of science fiction is the idea of testing the outer limits of science, technology– and of the imagination. To stimulate questions of “What if?” and “What then?” At its best, sci-fi combines creativity of ideas with creativity of writing. Such is the case with our new fiction feature, “DEDCOM-204” by Courtenay Schembri Gray, one of the most talented young writers on today’s literary scene. We hope you enjoy her offering.

What is life but a series of little deaths? Those impactful, perhaps traumatic moments that take a part of us, all in preparation for our eventual big death—the one we don’t return from. I like to visit mine, from time to time; at the facility on the edge of town. Dad loves to remember his adulthood; the time before—when a firefly was a glowing bug, rather than a moment in your life preserved in a jar.

XXX

By the way, Ms. Gray also has a poem in our newest print publication, the ultra-collectible Fun Pop Poetry. Have you purchased your copy?

Pop Summer Crescendo

Pop Lit Fiction

WE ARE putting this project this summer as much as possible into the zeitgeist the vibe the flow of angst and anger rushing on all sides around us. We’re caught in a sense of chaos. Of reality, the world, and all stability preconceived notions of comfort and sense dropping beneath us– as if the floors and earth under our feet have given way. In all likelihood the challenges we all face are temporary. Which doesn’t make them easier.

This summer we plan to have the writing– the art– we present reach a crescendo. Afterward which (we hope) the world will resume a course of peace and harmony. Setting the stage for a fun and reinvigorating pop culture revival.

FIRST UP in our literary symphony is a short story by M.C. Schmidt— “We Love You, Ringo”— ostensibly about a Beatles tribute band, but at the same time about a relationship, and maybe also, about the world we live in today. Humor combined with seriousness. We hope you enjoy it.

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ALSO when you get a chance drop into our Special Projects room on this site and check out the latest piece of quirky writing there: “Aim For the Snyder Brothers” by Bud Sturguess. With more fun stuff already posted at the blog, and more (including a collaborative project?) to follow.

Don’t miss any of it!

Chaos In America

Pop Fiction

MOST of the chaos is in our heads as the networks and social media pump images of violence, tragedy, and trauma into our heads 24/7. BUT there’s enough reality to it to concern everybody with a conscience and with half a brain in their head.

The populace is in panic.

OUR TASK as a literary site is to capture the current cultural vibe– the real one, not a watered-down and insular Manhattan-Brooklyn version.

At the moment, the strongest vibes aren’t coming from New York. They’re coming from hinterlands like Uvalde or Buffalo, where the already-unhinged have completely lost it, and the world explodes into chaos like a fictional Killtown.

Which we present in a short story, “Chaos In Killtown.” Its “3-D” multi-dimensional framework is an ideal vehicle for the expression of chaos. The narrative comes at the reader from every direction. The goal with this particular story is to be completely pop, but also to capture the hysteria of now. Does it?

The mayor sat in his riverfront mansion at an enormous table sampling yet another enormous meal. Calls came into his private phone from aides saying the city was in chaos and he had to do something.

“The city is always in chaos!” the mayor shouted back, and disconnected.