Pop Lit Style

Pop Lit Fiction

We’re stylists. We look for writers who are creating what we consider to be pop lit style. That elusive hybrid that’s both “pop” and “literature.”

One of the best of them is Calder Lorenz. His story for us, “The Good Road Gone,” has elements of noir combined with a terse style and a sense of the literary. Pop writing that means something. We think you’ll like it.

He heard the car door. He looked at the clock on the windowsill: 3:04. He smiled at that. He got the rifle and then he loaded the clip. He wore a gold medal around his neck: St. Anthony. It was a gift. Something lucky he’d gotten before he’d gone off.

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(Also read our News blog notice on Calder’s just-released novel.)

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Art by Sonia Delaunay.

 

Pushing Artistic Bounds

Pop Lit Fiction

We make the point again and again. In this noisy age literature in all its forms has to change. To become far more exciting– within the culture; to the general populace.

In Part III of our overview, “Hyper-Talents of the New Literary Age,” we’ve profiled young writers who bring new perspectives to fiction. Who have the talent to reinvent the art. Few fit this designation better than Jess Mize, who’s been making noise across a variety of upstart lit sites. We have an excerpt from Jess’s novel-in-progress. Fittingly, the story is about reinvention.THEN stay tuned for a new profile of Jess and her writing, due in a few days.

At New Pop Lit, the future is NOW.

The young boy learned in one fell swoop of his powers and of the neurotic, mysterious trance of performance art. It was like seeing lightning strike a natural object right in front of your eyes, the electrical force penetrating your mind and becoming a live, vibrating current in the conduit of your brain waves.

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(Art by Jean Metzinger.)

Future Style

Pop Lit Fiction

At New Pop Lit we’re on a mad search for future writing styles– and for new styles for writers themselves. We foresee a changed literary landscape where writers’ personas are inseparable from their work. Once, writers were public figures. They deserve to be so again.

Which brings us to Lauren N. Jackson, third of our “Young Writers,” part of an long examination of literature today which we’re calling “Hyper-Talents of the New Literary Age.” The four examples we’re using are each extremely talented, albeit in markedly different ways.

Are there commonalities between the four of them? Yes!

First, their writing styles are striking and economical. A Pop Lit requirement.

Second, all of the four convey a sense of unease, even bewilderment, at the world before them.

This is the case with Lauren N. Jackson’s entry in our series, “The Spore Guild.”

Does art equal madness, and madness art? Read her tale and decide for yourself.

(THEN read commentary on Lauren and her writing, as we add to our “Hyper-Talents” essay. Be sure to scroll down.)

Now the question I’ve finally allowed on my lips is – what’s out there? What haunts us, hunts us, destroys us? How much longer do we have? Will I go truly mad? What if I already am? Perhaps my whole reality has shifted in my head and I only think I’m living my true life.

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(Art: “The Revolt” by Luigi Russolo.)

Cooler Writers?

Pop Lit Fiction

–in which we continue Part III, “The Young Writers,” of our overview of today’s literary scene, “Hyper-Talents of the New Literary Age.” Continue reading the essay here, as we’ve added commentary about the second of four young writers to be profiled, Eli Cranor. THEN read Eli’s excellent short story about the teaching profession, “Five Minutes.”

As you’ll see, the question posed during this part of the essay is, “Can writers become cultural stars?” Our answer to the question is a resounding “YES!”– but we acknowledge it won’t be easy. Every cultural force has its beginnings. With the Beatles it was dive clubs in Liverpool and Hamburg. With revived literature, it might be right here. . . .

Mr. Koontz first few weeks at school had involved very little details. Instead there were a lot of situations like this: a large blonde woman sits down in front of you and she has a daughter, they look nice enough, but you can’t remember the girl’s name, not even a detail like her name.

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(Painting: “The Fate of the Animals” by Franz Marc.)

 

Portraits: Lit Overview Part II

Feature

WHY the photo of the Tesla Motors vehicle which has been breaking speed records? Because THAT’S what we at New Pop Lit are about. We started this project to reinvent the literary art. To find or produce literary products faster, cleaner, more efficient and more exciting than the norm.

We believe the literary art has to change and will change. We see contemporary American literature trapped in a “salon” mentality– centered on one east coast island, within five monster conglomerates housed in overpriced skyscrapers, publishing only strictly correct and approved writers.

Things already are changing! 2017 marks the existence of scores of upstart literary outfits such as ours– and many thousands of DIY authors who don’t apply the “rules” because they never heard of the rules. Yes, much of the work is mediocre or worse– but at the same time, room is created for the new. For the arrival of the VanGogh-Gaugin self-motivated genius who’ll go so far outside the bounds, art will be overturned. A writer who’ll break all artistic speed records– or maybe, go into untrod areas in the creation of meaning and emotion.

This has begun to happen, in small ways. The purpose of our series, “Hyper-Talents of the New Literary Age,” is to showcase writers who’ve pushed right up to the bounds of literary creation, and in so doing, point the way to truly revamped and renewed stories and poems.

Among the writers we discuss is Anne Leigh Parrish, who’s appeared here before. We’re privileged to present her latest story, “Picture This.” Clarity? Simplicity? Emotion? Anne Leigh touches the right chords.

We discuss Ms. Parrish and those right artistic chords at our News blog in Part II of our Overview. Enter the literary future. Read both story and overview now.

He’d grown up with three brothers and two sisters, a house full of noise and misery, hatred and resentment, never able to have his own space. That’s why he became an artist—the lure of escape.

 

Who We Are

Announcement

As we prepare a couple big new features, and simultaneously wade through increasing numbers of submissions to the New Pop Lit “In” box, it might be time to again give readers information on ourselves and what we’re about.

Our roots are in the DIY print-zine movement. We believe in  art that’s organic, from the ground, the people, up, not imposed by inflexible institutions from on high. We support the democratization of literature. We are not status quo. We’re a new forum of literary opinion.

We believe in the importance of art. That fulfillment can be found through art.

We believe in literature and we believe in the uniqueness of American literature.

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At present New Pop Lit is run by a long-time promoter of underground “zine” writing gone legitimate, combined with a Detroit-area writer, Chicago-trained, who’s been involved in the worlds of design and fashion. We combine style, sense, and attitude.

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Currently we’re looking for parodists willing to do short takeoffs on famous American writers, for a feature due to run this March. Already taken: Norman Mailer; Emily Dickinson; Jack Kerouac. We have a half-assed version of Hemingway. Every version of Hemingway is a half-assed version 🙂

For more information email us at newpoplit@gmail.com

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Read our review of Alex Bernstein’s Plrknib at our News blog.

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A new short story from an exciting writer runs this Friday. Don’t miss it!

(Image: “The Painter on the Road to Tarascon” by Vincent van Gogh.)

Year-End Wrap-Up

Announcement

happy-new-year-page-001

The first task of any upstart literary outfit is to survive. We’ve accomplished this for another year– but we want more. In 2017 we plan to give you more. A lot more.

In the meantime, read our year-end  review News Report of our 2016 activities at our News blog.

Also be sure to read our final Fun Pop Poem of 2016, “Exploitation of Subtlety” by multi-talented artist/writer Dan Nielsen.

Thanks to one and all!

 

Suffering, Suicide, and Immortality

Pop Lit Fiction

THERE HAS ALWAYS BEEN a strong connection between madness and genius. Between “mental illness” and art, exemplified in the careers of talented-but-troubled individuals from painter Vincent van Gogh to poet Sylvia Plath to rock musician Kurt Cobain. Could it be that the sensitivity which attunes them closer to the mind of the universe than other people– that allows them to “see” and express things the rest of us can’t see, also makes it too painful for them to live? Does their genius itself push them toward thoughts of suicide?

These thoughts are occasioned by our newest feature story, “Suffering, Suicide, and Immortality,”by Jess Mize. Ms. Mize writes fiction and poetry as edgy as any we’ve seen, anyplace. It doesn’t always make for comfortable reading, so be forewarned on what’s coming. We can’t ignore, however, that it’s particularly at this time of year, a time of bleak weather combined with the expectations of the holiday season, that the thoughts of many turn to suicide. Many have been there on one occasion or other, and so, perhaps, can identify with the troubled character in this powerful story.

My second attempt at suicide happened two years later. I had just quit my job at the dry cleaners. I had no ambitions, no motives, only a red and black despair that clouded over my every thought and action, a red and black despair like the closing of Joyland at night.

Poetry Yesterday, Today, and Tomorrow

Announcement

We’re serious about moving in a strong way into the genre of poetry. The classic art has been marginalized by the academy; kept alive by hip-hop and open mics. As always, we aim for a fusion of the two types.

POETRY YESTERDAY

October 17 is the birthday of Sylvia Plath, whose dark vision in its mix of craft and passion in the last years of her life was a high point of American poetry. After her death, the form abandoned its sense of music and euphony.

An exception to this abandonment happened in Liverpool, England in the early 1960’s. We’ve discovered a pop poetry movement centered in that industrial city– at the same time a group of moptop musicians began making waves with a unique brand of pop music. We’ll have a report on this, upcoming.

POETRY TODAY

At our News blog, we take an entertaining glance at the five poets named last week as finalists for the National Book Award for Poetry. In fact, we grade them.

What’s our reaction to the Nobel Prize for Literature award to Bob Dylan? To us, it shows the failure of today’s poets to connect meaningfully with the general public– creating a vacuum which has been filled the past fifty years by popular troubadors like Bob Dylan. We say, give us not Bob Dylan but another Dylan Thomas!

POETRY TOMORROW

Our fledgling Fun Pop Poetry feature is a beginning, only that, to a true poetry revival– making the art accessible to everybody.

For a more serious version of pop poetry, in one week we’ll feature several poems from one of the best young poets we’ve seen– proving to us the future of poetry is very bright. Stay tuned to this literary station!

 

Four Poems and an Interview

Interview, Poetry

OCTOBER, which ends with Halloween, is a crazy month– and we’re going crazy about poetry. Toward that end, we feature Four Poems from intellectual poet Bruce Dale Wise. As you’ll see, he’s known for his topicality.

Are his poems traditional? Postmodern? Both? Neither? Read them and judge for yourself.

The coup in Turkey has been stopped; the purges now begin.
It’s time to cleanse state institutions shouts out Erdoĝan.

So who is being targeted in this his counter-coup?
All those who do not totally support his point of view:

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We also have a dynamite interview with Bruce up at our New Pop Lit News blog. Check it out!

I lean to our time, the New Millennial period; the Internet has opened up the possibilities of American poetry, and I think it is exciting to be writing right now.