We like stories!
We like stories which are unpredictable in plot, point-of-view, and theme– such as our new feature, “Churchgoing in New England” by Richard Greenhorn. We’re on a quest for new kinds of stories– those outside the customary in ideas and viewpoint.
What should any short story accomplish?
The tale should convey knowledge and experience; emotion and meaning. It should carry the reader along then finish with surprise, insight, or impact. Something. See if this story fulfills those requirements.
One-time department stores and groceries had been replaced by specialty winter supply shops, novelty bookstores, a few adult boutiques, and an over-priced Leftist drinking establishment called The People’s Pub. On the town commons across the street were the placards and banners left over from this morning’s protest. . .
ALSO: Stay up-to-date with the All-Time American Writers Tournament.
(Painting: “A New England Town” by Middleton Manigault.)
We’re near the end of spring– early enough for cool summer reading as heat descends upon the landscape.
Questions: Are there forces in the universe beyond our understanding? Does a talisman actually work?
These questions are asked in our new story, “Sweet Spring” by Scott Cannon, one of our favorite writers. If you want an enjoyable read, this is it!
It was dark within, but I thought I saw something pale in the heart of it. I was shoulder deep in the roots when I heard you ask if I found anything. My hand closed on something cool and smooth, and I drew it out.
(Painting: “Springtime in Giverny” by Claude Monet.)
WE KICK OFF 2017 with new fiction by Sonia Christensen, “Dry Bones.”The story is accompanied by an interview with Sonia at our News blog, in which she tells us whether or not there’s a back story to this unusual tale.
Sonia Christensen is part of a wave of terrific new short story writers. We’ve been privileged to showcase some of the best of them. These are exciting times to be involved with the literary game– best of all for those who enjoy reading stories.
He’s told her that he would help her bury the cat if she wanted him to. He said that the first time they walked by and she pointed it out and said, oh god it’s still there. But there’s a traumatic cat incident in her past so instead what they do is cross the road whenever they’re nearing the cat, so they don’t have to get too close and they don’t have to look. But Luke always looks.
(Painting by Theodore Gericault.)