IS ANYONE looking for the New? Does anyone besides ourselves actually want and is actively searching for and creating the NEW?

Pop Lit is about discovery and synthesis. It’s about creating. About fusing two poles, in poetry’s case, of stasis and chaos. System and street. Bebop rhythm and wordplay, the energy of freedom combined with poetic learning, predecessors, history. IF the humanities mean anything (one hears massive nonsense about “the humanities”) it means nods to the past but not shackling institutionally the talents and voices of today.

TODAY we present fresh creations from young verse-master Timmy Chong— seven or nine poems depending upon how you count them– which he names  “Twenty & Change.” Note his euphonious use of assonance, rhythm, occasional rhyme, with urban/suburban themes, a hip-hop feel– but it’s not hip-hop– and with tricks absorbed from past masters like Plath or Berryman– but it’s not like anything they wrote either. It’s only, hyperbolically-speaking, where poetry needs to go. Where it needs to be, in 2018, or 2020.

Boy got them low eyes,
got that good lip
reeking purple like periques.
Says when the plug dry
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AS PART of our Poetry Attack! we’re soliciting audio for our ongoing Open Mic, at Club New Pop Lit. (Think neon letters reflected on a rainy Detroit-or-Philly street.) The club is imagination but the voices are real. (Well, maybe not Ms. Hepburn’s.) COMING within days or hours to the club is spectacularly talented Detroit-area poetess Erin Knowles Chapman with a reading ostensibly about a bowling alley.

Exciting things are happening. Just saying.
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(1st public domain action painting is by Michael Philip. 2nd public domain “spin art” painting is by German artist calling self Kungfuman.)