EXPERIMENTS IN FICTION
Call it montage, or the 3-D or multidimensional story, or literary polyphony, the point remains the same: To get away from the linear, one point-of-view, one-tense format in short story writing, which allows for little variety. The solution? To innovate.
Our new feature, “Waiting for the Superhero”— about a man trying to survive in a tough urban landscape– is an attempt to do so. The story plays with viewpoint– to increase angles– and with time. The trick is to do this without hindering the flow of the narrative. Indeed, if well utilized, the technique will increase drama and pace.
Putting fragments of writing together– like editing film– isn’t simple, but opens up endless creative possibilities. Expect to see us go way beyond what we’re showing to date. Just saying.
He moved into the basement of a nearby vacant building. The several-storied structure was in receivership; kept by the bank which owned it in a modicum of shape. There, Ernesto created a cave. An escape. A small window, easily pried, provided access.
The first night he noticed a visitor in the form of a pair of green eyes. A cat.
In daylight he realized the cat was more or less black. Ernesto adopted its guise. So garbed, in the evening he became invisible, blending into the night.
(Art: “Night Over the City” by Otto Dix.)