Superheroes and 1940’s Style

Pop Fiction

WE’VE BEEN accepting new fiction only sporadically of late, as we ready other aspects of our campaign. BUT we have new writing today– from long-time DIY scribe Wred Fright, an excerpt from his newest novel, Fast Guy Slows Down.

We’re running it because A.) it’s from Wred Fright, whose unique style combines fun with wit and intelligence, B.) it’s about a superhero. What could be more pop?

A superhero’s reflections on his career and crucial events through the decades. We chose for our excerpt the glamorous decade of the 1940’s, whose conflicts of flawed good guys versus evil Nazis brought about the need for pop superheroes– and led to their rise and maybe the birth of modern pop culture itself.

We hope you enjoy it!

The superhero is a child’s power fantasy, he or she all grown up and powerful. Big not small.  To reach that, the parent must be gone, maybe because the child thinks he or she will  always remain a child with the parent around, even though that isn’t true. Anyway,  Superman’s an orphan. So’s Captain Marvel. So’s Batman. So’s Robin. Wonder Woman  doesn’t have a dad, at least in the stories I read; I think they gave her a dad later on. Initially though, her mom makes her out of clay or something.

(Art: “Miss Fury” by Tarpe Mills c/o Camilla Nelson.)

Novel Excerpt from Brian Eckert

Pop Lit Fiction

BEST NEW WRITERS DEPARTMENT

ONE of the premises of the New Pop Lit project is that a pool of overlooked talent exists in this world, this society. Overlooked for a variety of reasons– lack of connections, or correctness, or proper credentials. Or simply because of an unwillingness to conform to dictates of the institutional mob, whether those dictates be ideological or aesthetic.

OUR mission is to showcase such writers. One of the best of them without question is Brian Eckert. To come to that conclusion all one need do is read his writing– consistently of high quality. As with this excerpt from his short novel, Into the Vortex. A story about a journalist investigating the West who discovers a canyon seemingly beyond time and space.

In spite of my skepticism I began seeing signs of architecture on the rock. I made out an ornate window framed in metallic blue with a holographic patina. I also saw a hieroglyphic-like depiction of what appeared to be a flying saucer. But as I looked closer I saw only rock.

eye of horus

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(Main painting: watercolor copy by Nina Degaris Davies of an Egyptian wall painting )