READERS enjoy stories which deliver an emotional punch. This is not all that stories can do, but it’s one of the things stories can do.
It might take the writer 500 pages in a novel to deliver the impact. Or it might take a shorter time period– which is what the short story is about. Condensed emotion. Concentrated impact.
Our current story, “Racquetball” by Don Waitt, condenses many things into a small narrative space. Families, history, loss. Less can be more. Take a look.
“And I saw my Mom getting sucked into a black hole of despair. It was like looking into an old brick well filled with cold, dark swirling water being sucked into the bowels of the earth, and my Mom was in the middle of that water. And I knew that if I did not reach down and grab her hand and pull her up, she would be lost forever.”
(Painting: “Death of Chatterton” by Henry Wallis.)
THE LARGEST TOPIC for any writer– the greatest expanse of territory to cover– is the human mind. BUT WE ALSO live in a time with a dystopian vibe. Combine the two elements and you create fearful possibilities for the reader.
Our newest feature story, “Unraveling” by Tianna Grosch, is a plunge into the depths and memories of the mind– at the same time it’s a commentary on the contemporary age, on a kind of soullessness consuming everyone. Writers and artists seek metaphors for what’s happening. Zombies, pods, androids, robots. Loss of affect. Of emotion, depth, mind. What does it mean? Where are we going? Where have we been?
There’s much to be discovered in this thought-provoking tale by a talented young writer.
The doctors’ infinite, empty eyes peered out above crisp white masks. Masks shrouding the remainder of their faces so the crown of heads surrounding him became nothing more than a sea of irises ranging in color and depth, but never in emotion.
(Paintings: “Murnau” by Vassily Kandinsky; “Hospital Ward in Arles” by Vincent van Gogh.)