WE TALK OFTEN here at New Pop Lit headquarters about Hemingway’s “True Gen”: How to define it and how to find it– the thread of thought provoked by the death of singer-songwriter Pat Dinizio , long-time front man of working-class New Jersey rock band The Smithereens.
The band never quite hit the big time– yet were the genuine article, creating simple strong passionate art. This took us to a low rent same-named work from another medium: Susan Seidelman’s classic (?) indie film about the 1980’s punk scene: “Smithereens.”
The genuine is a quest, not always a destination. The search for the authentic involves the artist getting as close as possible to real experience– to find the true moment, the genuine emotion.
How do we find new writing of piercing reality?
By being open to it. This week we present a short story of tough background and authentic emotion, “Eighty Pounds” by Michigan writer Jon Berger. It’s about high school, classes, cliques, class, drugs, jobs, work: life. Not Manhattan literary slickness. Instead: reality, truth, grit. Read it.
Those guys in there, it’s like they knew how to size me up. Guys in the world, like Will, they only saw that I was in dumb classes and that I didn’t play sports or they saw where I lived and they thought that was my size.
(Painting: “The Boulevard” by Gino Severini.)
Storms have been in the news of late. As such, they’re the theme of the moment at New Pop Lit.
First, we feature a subtly emotional short story from one of the best story writers in America, Anne Leigh Parrish. The story is “Shelter.” Its underlying motifs are refuge and authenticity.
Cara’s truck bumped up the road, the rain in the headlights so thick it looked like snow. Drake was at the wheel. He insisted on driving. She was no good at it, he said, not on a road like this. Plus, the transmission was going. Hadn’t she said she was going to get it fixed?
We’ve just nominated a previous story of Anne’s “Picture This,” for the Best of the Net 2017 anthology, along with other work. See our nominations at our News blog.
For other storms, at least stormy personalities, check out the four most recent selections at the All-Time American Writers Tournament. Volatile personalities. Volatile art. Examples of the energy of which American literature can occasionally generate.
We’re out to capture, create, and showcase similar literary energy. Keep following us!
(Painting: “Storm in the Mountain” by Albert Bierstadt.)
WE PRESENT not just pop lit, but sometimes straight pop, on our path toward true “fusion” fiction. No less a personage than Jonathan Franzen has claimed to have a similar goal– except that in his ultra-long novels there’s less entertainment value than in a single story by Alan Swyer– and less than one-tenth the heart.
Doubt it? Read Alan’s new tale “Country Sweetheart” to see what the pop lit revolution is about.
Writers are reinventing the short story art! We’ve been covering this in our ongoing series, “Hyper-Talents of the New Literary Age.” In conjunction with running Alan’s story we present Part IV of the series at our News blog. This section is devoted to– what else?– pop writers.
Grab the New!
“When the world gets weird, instead of doing a Dusty Springfield –”
“‘Wishing And Hoping’ that things’ll change, you’ve got to do something so that you’re who’s changing.”
“That what you do?”
“It’s what I’m doing.”