THE FICTIONAL NARRATIVE is strengthened immensely by the presence of conflict. It doesn’t have to be all-out war– well covered over the years in works like War and Peace. It can mean merely the hint of approaching conflict. The sense of tension between characters– a troubling undercurrent saying, “All is not right here,” and, “This could if not carefully managed get quickly out of hand.”
The art of the fiction writer comes in creating and managing that tension. We see it in our current feature story, “Park Rangers,” by Joshua Caleb Wilson. A short tale about parents and a playground in which, like a modernist painting, one can see different things, depending on how you view it. On what you bring to it. A reminder that in the world, potential conflicts are endless and can be encountered anyplace.
“Oh, are you child psychologist?” Matt asked.
“No, I just thought…”
“But you don’t really know do you?” Matt interrupted.
(Art: “Battle of Legano” by Amos Cassoli.)