WE DON’T KNOW if we’ll be the ones to punch a hole in the culture which talented-but-undiscovered writers can jump through. But we know someone will, and soon. There are too many outsider writers better than those in the established New York-based literary order for artistic upheaval not to occur.
That there needs to be alternate centers of literary and publishing activity to the New York monolith, in other parts of the country, is stating the obvious. The way to do this is by creating better literary products along with inexpensive ways of producing those products.
For us, it’s all or nothing. Breakthrough at some point or fold up shop.
Our chief tool to achieve our objectives is a new literary product which we’ve been calling–
THE 3–D SHORT STORY
When’s the last time someone seriously tried to reinvent one of the standard literary forms?
Allen Ginsberg did it with his poem “Howl.” A long time ago.
Gordon Lish tried to do it with his unique minimalist take on the short story as featured from 1987 to 1995 in his literary journal, The Quarterly— which included the likes of Amy Hempel, Mark Richard, Diane Williams, and many others.
A worthy attempt. But his writers and their writing were too restrained, too tame– they didn’t go nearly far enough with their aesthetics or their imaginations.
OUR attempt at Artistic Breakthrough begins on June 6th, 2019. Word will occur here as soon as one of the completed stories is posted. 3–D Day IS coming.
(Art: “New Planet” by Konstantin Yuon; “Streetlight” by Giacomo Bala.)
ART presents perspectives.
New literary art at its best offers fresh perspectives– unique ways of viewing everyday reality. What poet A. J. Huffman does in “Fast Food Religion and Other Poems.” From dinosaurs to drive-thru windows, Huffman’s four poems display a range of insight, visuality, and commentary– each of them a puzzle or a painting waiting to be deciphered.
Imagination triggers transportation
to prehistoric jungle. A distant air-born
monster screams welcome!
(Art: “The Conversion of St. Augustine” by Fra Angelico; “Agathaumas” by Charles R. Knight.)
OUR TASK at New Pop Lit is to find and present the best new writers. We don’t know what fiction in the future will look like– only that it shouldn’t resemble the acceptable fiction of now. Ideally, it should be more unorthodox, more creative, more real.
If our newest feature story is a guide, young writers are accomplishing those goals. A.K. Riddle‘s “The Professor” is an example of writing not yet constrained, handcuffed and put into a box. It shows as well the rare ability to put oneself into the head of another person.
The story, about a middle-aged and somewhat burned-out teacher at a prep school, is also entertaining– the first objective of any work. We hope you like it!
The Professor looks like a resurrected and plastic surgeried John Lennon. The Professor has a dog named after his ex-girlfriend, Layla. But his wife thought their pooch was named after the Eric Clapton song. The Professor is married but doesn’t wear anything on his left hand except for a black friendship bracelet, if that counts.
ALSO: Stay up on the All-Time American Writers Tournament. An announcement of more entrants is coming soon.
(Artwork: “The Miller” by Juan Gris.)