Experiments in Pop

Pop Lit Fiction

THE FUTURE is in fiction and poetry written with clarity and conciseness. Short and to the point. Read quickly but meaningfully on an app.

Toward that end, we present a short short by our own Kathleen M. Crane, “Aloha from Detroit Revisited.” Set in Detroit’s punk rock scene near the end of the millennium, it’s a replay of an earlier tale by K.M.C., “Aloha from Detroit”– the title work in her e-book short story collection. “Revisited” presents a different perspective on the same events. Providing a different angle. A more rounded look.
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We’re based in Detroit, where we hear and read much about how the auto companies– not known for being cutting edge– have to adapt to the technologies of the 21st Century. How moreso literature!– whose Manhattan mandarins operate with the mindset of the 19th.

As lit moves onto new platforms like smart phones and e-books, the style of writing itself has to adapt and change. Slow-paced thoughts won’t work. Word-clotted writing is dead– whether from James Joyce or Joyce C. Oates; Jon Franzen or the acolytes of David Foster Wallace. In ten years the heavily-lauded writers of the present will be obsolete.

They already are. Writing is changing, via flash fiction and pop poetry. We’re at the forefront of that change.

He wondered who was dealing Rick, after his warnings. He shrugged. Rick was an adult. He glanced at Rick, pale and slumped under his black mohawk at the end of the bar. Sure, an adult.

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