writing

Living In the Actual World

Pop Lit Fiction

RECENTLY I read an article about famed film director Stanley Kubrick’s “cool precision.” Not long after, I read about the conflicts Kubrick had with actor Marlon Brando during the filming of the 1961 Western, “One-Eyed Jacks,” which resulted in Stanley Kubrick leaving and Brando taking over as director of the project. Which started me thinking about approaches to writing, and to art in general.

Kubrick, like Hitchcock, Spielberg, and other well-known movie auteurs, was a control freak who saw every shot beforehand, down to the actor’s lines and expression, in his head. Brando wanted a more spontaneous, instinctive approach. We have no idea how Stanley Kubrick’s version of the film would’ve turned out– but we do know that Brando pulled career-best performances from the cast, from Karl Malden, Pina Pellicer, Ben Johnson, Slim Pickens and others, by not asking them to follow perfectly the script, but instead to bring something of themselves to their roles. My thought: That in this robotic age, perhaps in literature as well as in cinema, we need to emphasize the human aspect of life and art.

Which brings us to our new feature, “The Wrong Crowd” by Lyn Michele Stevens. Focus is on the humanity of the two characters, who appear to us as characters, in both senses of the word. Fully-rounded, flawed, real, with back stories which reveal how they came to this point in life. Distinctive, all-too-human personalities which pop out to us from the page. Maybe just a little out of control, not following perfectly an intended script. -KW

Sex aside, the rush of freedom was exhilarating. Everything was a dare. Allie landed a job as a receptionist. Pete played open mics all over town. High on weed and booze, they went to concerts on the pier, museums, the zoo. Anything for free. A year later her body turned on itself.  Bladder dysfunction, numbness in her legs. The vertigo was the worst, this wild pulsating city spinning out of control. Pete stayed on, blending protein shakes and snorting coke laced with speed but once she started using the chair because her balance was so unpredictable, the disease took over life.

End of Summer 2025

Pop Lit Fiction

LATE SUMMER! Post-Labor Day. A time of earlier sunsets, cooling nights, and poignant melancholy accompanying the end of summer’s carefree days. A time of change, wistfulness, memories.

Our new feature short story, “Big Lagoon” by Thomas Thonson is a tale about summer experiences and memories, of present merging with past– with persons from the past– an artistic blend of setting and personality, of experience that jumps out at you. With a hint of a surprise which calls into question our narrator, or at minimum, our opinion of him. Or a taste of another dimension. An example of what the fictional literary art can accomplish when all elements work harmoniously together.

A summer story. But is it the best short story of this 2025 summer? We think so!

Going out in that storm was the kind of idea only Marcel would’ve come up with. He was the daredevil, and I was his willing accomplice. He was also a talker––a voluminous, non-stop, wildly imaginative talker. His words could fill you with a sense of expectation, of worlds you hadn’t even dreamed of.

(ALSO stay up to date with everything happening at our Fast Pop Lit site, where everything happens fast, and will get faster.)

Too Much Technology?

Pop Lit Fiction

2024 or 1984?

DO PEOPLE EVER CONSIDER that George Orwell’s novel 1984 was set forty years ago, that we live in a dystopia but it’s more benign albeit subtle and insidious than Orwell’s vision, creeping incrementally but steadily into every minute aspect of our lives? We’re proverbial frogs in a pot of water only the water is 95% boiled and no one’s noticed. Thoughts provoked by our new feature story, “What Does It Cost to Be Civil?” by Tom Ray, about an ordinary couple in an ordinary community who just haven’t quite adapted, yet, to the changing conditions of the world we live in now. Anyone who was bombarded during the recent election campaign by texts and phone messages from hosts of strange numbers will definitely get it. Enjoy!

“Who are you?”

“You know who I am Albert. When you answer a call from me you become argumentative sometimes. Other times, when you’re on your laptop and have YouTube open, you play ’25 or 6 to 4’ by Chicago for me. That’s funny. Why that song, I wonder? And you know about spoofing, which you’ve explained to people who’ve called your number.”

He exhaled. “I thought you were a computer. If somebody answers, you transfer the call to a real person.”

“Oh, I am a computer, but I’m a person, too.”

Time and Art

Pop Lit Fiction

ANYONE interested in figuring out an art form’s place within a society, a culture, a civilization, begins thinking about such things as waves and cycles, growth, peaks, plateaus and declines, as if everything’s on a long-term rollercoaster-style chart. The universe pulses and breathes, as does every part of it. Far be it for our tiny human brains to understand the patterns or plan– but we try. A key part of this modest project is understanding where literature is— where it’s been and may possibly be going. Determine that, and we might just own the literary future. In the same way, maybe, Brian Epstein saw a raw working-class band performing in a smoky underground club in Liverpool, England, and realized that he witnessed the future of popular music.

One writer we’ve published, Zach Smith, writes imaginative stories centered around ideas of time, space, aging– and about the universe itself. His newest story, “Millennia After Millennia After Millennia,” which we’re running as our newest feature, delves speculatively into those questions as much as anything we’ve seen from him. We hope you find it entertaining and thought-provoking!

“One hundred years ago, we took off from the launchpad of Quark. Our planet was dying, and we set forth with all the raw materials we needed to build a new society on a planet in the Zygorch Star system. The starship was a wonder, the pinnacle of what our society could create. She was covered fore and aft with panels that drew power directly from the stars, sails that could ride the wind of the stars, and twenty-seven rockets to blast her off the planet. We called her the Eringostar.”

The old man took a sip of his whiskey, a drink he claimed to invent, the recipe a secret he shared with few, as the potion was quite powerful.

May Day Fiction

Pop Lit Fiction

WHAT’S HAPPENING?

A LOT OF STORIES are happening in America right now, from coverage of overseas wars to college encampments as symbols of unrest and dissent. In our opinion the chief story in this country is the widening gulf between rich and poor in America. A wealth gap of a kind that’s never been seen, not even in the robber baron days of the late 19th century. Today’s ruthless $200 billion-and-counting robber barons, Musk, Gates, Bezos, Zuckerberg and company make the previous kind look like unambitious storekeepers.

As our newest featured fiction we have a short story which gives us a look at what’s happening, “The Unhoused Gift” by Peter R. West, via characters on both sides of the equation. The story is set in Southern California.

I have a sister who lives in California. She keeps me informed on what’s happening, has said the state is a model for what will soon enough happen in the rest of the country. (I tell her there already are increasing numbers of homeless where we live.) Rising rents and cost-of-living; more unhoused people. “Your state’s going to turn into Brazil,” I say, about a country long known for its extreme wealth gap. “It already has,” my sister replies. Anyway, please read the new story and see what you think!

Like a bird of prey, Stanley Newman swooped down the curvy road that connected his Los Angeles hilltop mansion to the sprawling city below. The grin on his face grew bigger as he listened to a news report recounting how his client had walked away from the tabloid-covered trial. Stanley used every trick he’d developed over twenty-five years of legal scheming in the often-sensational Los Angeles criminal scene to help another big fish escape the hooks of justice. 

Goodbye 2023!

Announcement

NO DOUBT 2023 was a tough year for everyone except a handful of tech billionaires who gathered enormous wealth–

— but we got through it, which is what counts. In so doing, at New Pop Lit we published a variety of sterling work, fiction and poetry both. In our admittedly biased opinion, some of the best writing to be found anywhere. Doubt this? Then click onto our “TOP OF THE POP” page and browse around. READ some of the stories and poems. They fit our goal of being readable and striking.

WHAT ELSE were we up to in 2023? For one, our “Save the Writer!” petition, which has us standing at the forefront among literary people in questioning the dubious benefits of Artificial Intelligence. If you have not yet signed the petition– you should.

WE ALSO began a new page at our site, Fast Pop Lit— a site within a site, really– for posting shorter work much faster than we can put up our longer features. Also, as a way to promote those writers we do feature at our main site. Plus, it’s as striking looking as any literary site out there– a reflection of our intention to be not just one more literary mag. Previews, interviews, commentary, satires– with much more to come. Check it out!

Then stay tuned for a lot more to come in 2024.

What Will New Fiction Look Like?

Pop Lit Fiction

FOR US, that’s the big question, as we’re a forward-looking literary project out to decipher how the literary art will change– how it must change to retain any place in this crazy noisy society. Or in any society. (One criterion we look for in new fiction is universality: Is it enough of a tale to appeal to anyone anyplace?)

We’ll take, in our mad quest, pieces of ideas from anytime in the past– if we believe they’ll work with readers today. For instance: the yarn. The kind of Mark Twain Bret Harte Jack London story told at night around a campfire, or under an urban streetlamp, or in a dorm room. Something maybe over-the-top, often imaginative, and definitely so compelling you couldn’t stop listening– or reading– if you tried. Three months ago, New Pop Lit’s two editors (we hope to add others) were sitting around a coffee shop discussing this very notion. We’d presented several terrific tales in the past, but we wanted more. Give us stories! we shouted (not really), but wanted to, whether propelled by the love of literature and art or from too much caffeine. Lo and behold, arriving into our Inbox that very day was a wild story– definitely a yarn– set in New York City, that maddest, wildest, most ambitious of all cities. The story: “Give the People Guns” by Bela Seitz. Please click on the title and read.

Bela Seitz anyway seems wildly talented. Perhaps one of a phalanx of new prodigies prepared to bring fresh imagination and excitement into today’s literary game? One never knows. Idealists that we are, we hope so. We also hope you enjoy the story.

Grey billowing clouds rushed across the sky, as though someone had a high-powered fan propelling them across the vast blue expanse so that the weather could match the demeanor of the collected reporters. They used to have passion in their eyes, but now their faces were taut, stretched with the gravity of the situation and an innate understanding that the news was no longer something to look at on your phone and laugh about – but was something to be taken seriously.

All About Poets

Pop Lit Fiction

SAN FRANCISCO!

–a long-time center of America’s poetry scene, filled with memories of legendary poets Kenneth Rexroth, Allen Ginsberg, Michael McClure, Lawrence Ferlinghetti, and so many others– and legendary poetry readings such as the one at Six Gallery.

TODAY we have a feature story set in San Francisco, about poets: “My Poet Friend” by San Francisco writer-poet William Taylor Jr. A story of atmosphere and humor centered around one poet in particular, who is– like so many practitioners of the poetic art– a character.

More, it’s a story about the lives of struggling writers. Many of us struggle for years and never “make it”– but writing is not about making it. Being an artist of any kind is about the mad pursuit and the lifestyle and the experience. Creating and sharing those creations, and in turn, experiencing the works– the sounds, images, words– of others. Always learning, opening brain pathways, developing spiritually, hopefully, while experiencing more vitally and viscerally than many the echoes of life. Falling short in our artistry, maybe, but leaving behind some legacy or trace we were here, or at least leaving our carcass on the slopes of the artistic mountain we were trying to climb.

Anyone having met writers both high and low knows the more authentic version is the poet friend found in William Taylor’s entertaining story.

My poet friend returned to the bar and we drank in silence, looking at the girls and wrestling with our existential dread. The Revolutionary Poets got louder and drunker as the night went on, their table crowded with half-empty pitchers of beer as they argued about poetry and politics. Linda was standing now, swaying a bit as she drove her points home, wine sloshing out of her glass.

Winners and Writers

Announcement

A QUICK ANNOUNCEMENT

FOR THOSE who haven’t heard, we have a winner in our first cash prize contest, one Tom Ray. Check out our NPL News story about it.

ON OTHER FRONTS, we’ve been using our revamped Special Projects blog for quirky writings, often of a humorous nature, as well as for sneak previews of pop lit things-to-come. Peruse our latest offering, “Sending the Dog to a Farm” by Gregg Maxwell Parker. Next up there will be amusing fiction from Wred Fright— before we move on at last to our planned collaborative novel– which should be fun!?

Plus much more.

(Art: “Organization” by Arshile Gorky.)

A Year of Experiment

Announcement

2022

WHILE we plan to publish at this site a number of more traditional offerings of fiction and poetry, we also hope to showcase several more experimental works– how we define experimental. Meaning, in some way pop, but going beyond the merely entertaining and readable. It’s what we’re looking for anyway!

In the meantime, at our News blog we’ve posted two 2022 Announcements– here and here— about where we are as an ambitious literary project and what’s going on. Stay informed– we’re moving into new territory.