THIS WEEK we briefly explore the subculture of literature with our long-overdue final installment of Hyper-Talents of the New Literary Age, in which we examine a diverse array of personalities from Bob Dylan to Aaron Cometbus, on up to underground writers of now– who create work just a tad rougher, wilder, and real than standard refined “literary” writing.
Accompanying the essay is a new story by one of our favorite zine writers, fishspit. The story is titled, “I Was a Juvenile Delinquent– Now I’m Just a Delinquent.”
Even the title wouldn’t make it through an MFA program!
Them teachers weren’t the sharpest set of educators. You had to be pretty doltish to wind up down there . . . nobody with an ounce of spirit, a dram of intelligence, would put up with that kind of horror-show. We were a regular freak show . . . the teachers were about as intelligent as carnies.
(ONGOING at one of our blogs is the All-Time American Writers Tournament. The latest news there is an appreciation of a prominent American author by Samuel Stevens. Don’t miss a post!)
Underground writing? Have you ever read underground writing? Did you even know there was such an animal as underground writing?
We’re very high on zine/underground writing, because that’s where our roots lie. More than that, zines are authentic roots literature. They present writing that’s unprocessed and unfiltered– NOT strained through banks of editors and agents and committees and workshops full of politically correct, go-along thinking. They’re also throwbacks in their commitment to print, and to the U.S. Postal Service, in the way they present their art. Creating a zine, where you do literally everything yourself, from editing to formatting to designing to marketing and selling, is an arduous endeavor– but also fulfilling.
Today we have a story from one of the best, most politically-incorrect zine writers, who goes by the name of Fishspit. Read his story here, and see if it’s a more uninhibited story than the status quo variety!
Two things to note about Fishspit’s tale. 1.) it’s told in a folksy vernacular. 2.) in its voice but also its underlying theme it’s very populist– the reality of today’s economic situation is not broadly stated but everpresent.
(We have to ask: How many other struggling writers have donned the Clifford costume at some point?)
But we like the story because it’s entertaining!
I looked in the paper and the goddamned Smackover Library was hiring someone to shelve books. It was only a r a week gig . . . and it paid abysmally. Yet it somehow seemed prestigious . . . to work in a library . . . a far cry from all those fucking factories. To go from a factory grunt to a library employee seemed a step up, even though it was a step down in pay.
(Clifford photo courtesy of renowned children’s author Kathy Ellen Davis. Thanks!)