The Pop Mission

Pop Lit Fiction

AS WE enter the dwindling days of 2022, our thoughts turn toward our plans for the new year. Fresh ideas geared toward grabbing increased territory on the literary map. WHILE we’re not sure exactly how to accomplish that, beyond rough notes on strategy and tactics, we know that by necessity it means reliance on literary POP– readable writing which has clarity and intelligence. Toward that end we feature writers able to achieve that elusive mix. One of them being Bud Sturguess, whose new story– “No Romance On Mount Nebo”— we spotlight now. We hope you like it.

As friends will often do with friends, my friends decided it was time for me to hop back into the dating scene. I had no interest, but romance and relationships are among the things friends push on friends the most. Even more than narcotics. I’ve no statistics to back up this claim, but it seems to me friends are always selling friends the outlandish claim that “there’s somebody out there for everybody.”

New Pop-Lit Fiction

Pop Lit Fiction

WHAT’S Pop-Lit Fiction?

What we call Pop-Lit Fiction is fiction written with perfect clarity that at the same time “pops” with color and tangible life– making for an enjoyable reading experience. A story whose well-structured form provides a feeling of harmony. An artistic sense of unity and completeness.

No easy feat– but accomplished in our new feature story, “Spoiler Alert” by young Philippine writer Angelo Lorenzo. Structure using simple plot which results in surprising emotion. Tangible details. Manifest humanity.

Read it and see if you agree.

But here she is beside you, and you can’t help but be grateful. Now, the screen shows
the action sequence. You see the superheroes in iron suits, capes and tight fitting spandex
dueling against an armored purple alien and his massive army on a red planet. You wonder if each thundering blast comes from the screen, or from the fast-paced beating in your chest amplified by the theater’s Dolby Digital surround sound system.
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(Art: “Man and Woman” by Fernand Leger.)