Unclassifiable Poetry

Poetry

BEWARE THE NICHE PEOPLE!

roger-de-la-fresnaye-the architect

WE’VE NOTICED that some literary people like to put other writers into a niche. Such as, “Exactly what kind of poet are you? Are you a flarf poet or an Instapoet or a beat poet, or a trad, or a lake poet, or Elizabethan or Edwardian, or maybe Victorian, modernist or hip-hop, or really, what kind of poet after all do you claim to be what box can we put you in how do we classify you, where can we put you to shorthand you, dismiss you, or otherwise find some way to short circuit our brains so we don’t have to THINK?”

(It’s a variation on labeling everyone according to party or politics: Wear the proper name tag and don’t ever switch sides or change beliefs.)

Which is a roundabout way of saying we have more poetry today, “‘That’ll do, Pig’ and Two Other Poems” by James D. Casey IV, who claims to write every kind of poem, and based on the evidence he’s provided, we believe him. Three poems. Hope you like them.

I’ve dreamt of hunting
vampires with Bukowski
and getting in barfights
with Hemingway and dodging
bats with Thompson and being
lost in the desert with Jim

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ON OTHER FRONTS, we have a book review of a short (four stories) short story collection by talented story writer Elizabeth Simsand:

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THE 3-D STORY

the bargeman fernand leger

WE CONTINUE to ask questions at our NPL News blog about whether or not the short story form needs to change– we strongly believe it does– as we lay the groundwork for the coming release of our solution: the Three-Dimensional Story. A lot going on.
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(Art: “”Simultaneous Windows” by Robert Delaunay; “The Architect” by Roger de la Fresnaye; “The Bargeman” by Fernand Leger.)

 

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