ON CORONAS AND CONTAGIOUS MUSIC
Today is St. Patrick’s Day, but it’s an unusual St. Paddy’s Day because of the fear the hysteria the caution protection prevention over a bug, so the parades are fewer, the parties calmer, celebration muted. This year. Unless there’s a final wild-and-masque’d Edgar Poe blowout someplace.
APPROPRIATE then that we have as our new feature a short story, “Townies” by Philip Charter, about six friends traveling to Majorca to party. And party they do.
But what awaits them?
A contagion, yes, but a contagion of a different sort. Not a virus, but having something to do with music and sex.
READ IT! drink it inhale it as you quarantine yourself against the onslaughts of panic and madness.
Within one minute of Gavin fading in the music, the dance floor was covered. It was as if the beat was ripping girls out of their seats, me included. The boys of course followed.
(Painting: “Party” by Emil Nolde.)
A MARDI GRAS STORY
Great 19th century novelists such as Victor Hugo, Charlotte Bronte, and Alexandre Dumas would often put a big scene of a carnival parade into their books. The feeling of uninhibited revelry, chaos, even madness was a way of heightening emotion and consolidating plot threads– as if the true hidden nature of their characters came out– came alive– amid the colors, music, drinking and shouting.
WE HAVE today in time for Mardi Gras 2020 a short story centered around carnival time in New Orleans, and it’s a good one: “Cracks” by Wilson Koewing. The story of course is about more than a parade. It’s about a relationship– more, it’s about life, about love, about being human and filled with the kind of chaotic mad emotions we flawed creatures are prone to. Put on your Mardi Gras mask and plunge in.
As we close in on St. Charles, the din of the crowd materializes. Carnival food smells ride on the breeze. You sense the impending madness. It rushes slowly, not towards you. You enter. It surrounds you. And you’re inside. There is a wall, and when it envelops you, there is no escape.
(ART: “The Peacock” by Natalia Goncharova.)
“Q & A” by Alan Swyer, our new feature, is an intriguing short story– it appears to be about one thing but is actually about something else, which adds a rounded quality to the work. A sense of dimension or depth.
Ostensibly the story is about a filmmaker agreeing to answer questions in a hostile environment. What happens when he steps on the stage to face that audience?
We hope you enjoy it.
Nor had a lengthy call with the festival’s program director put Donner’s mind at ease. “I like work that’s edgy and biting,” Todd Gallagher explained, which for Donner confirmed that his film was chosen with the hope that it would provoke. That belief was heightened when Gallagher added, “There’s nothing I love as much as a violent collision of cultures.”
(While you’re at it, please check out our two most recent blog posts: “Love Story Examined: A Writing Template” and “Miserable Love Stories by Alex Bernstein.”)
(Art: “Odysseus in the Land of the Dead” by N.C. Wyeth.)
WE’RE EXCITED to present our first feature of the new decade– a subtly hilarious tale by GD Dess, “The Bayside Blonde,” about a blonde and a telephone. A telephone and a blonde. A dangerous combination! Presented as a puzzle of personality. An investigation.
I’ve never been married, but I came this close. Charlie. He was my man. He was the one. He was a bit like my father. Gallant. Sophisticated. He said he had waited all his life for me. He wanted to marry me. Have kids with me. We got engaged. Then he woke up with a back ache one morning, and three weeks later he was dead. I was devastated. I buried him. He’s with the lord now. We’re only here as a guest, G. When our time is up, it’s up. It’s not my fault.
(ART: “Girl Before a Mirror” by Pablo Picasso.)
Read and follow NEW POP LIT. . . .
ANOTHER blonde with a telephone: