Our Chaotic World

NO DOUBT, as anyone who watches the news can attest, we live in a world and society in chaos. Given ups and downs, this has long been the case.

As example we present our new feature short story, “Contact” by Joe Del Castillo, who writes with humanity and heart. His latest story circles around the murder in 1980 of a public figure. As public– as famous– as one can get. Moreover, a figure known for his humanity, his often-flawed stumbles through this hectic world, as we all stumble through it.

The theme of Del Castillo’s story, so necessary in this age of robots and cruelties, is our common humanity. As the title implies, the need of all of us for human contact.

He gazed at the pictures and read the liner notes, knowing but not yet comprehending that a door had shut, a wall had risen, over his past.

WE’LL ALSO be posting in coming days many new thoughts and provocative writing at the other parts of this project, addressing various aspects of literature and the world. These spots include Fast Pop Lit, our NPL News blog, our Interactive page– which we need to make more interactive c/o quizzes and such– and we hope to soon revive our book review feature.

THE QUESTION for us, as perhaps for others, is: How to address the world without being corrupted by it? We’re still working on that one!

Topical Art

Pop Lit Fiction

IS THE TOPICAL POLITICAL?

(“Guernica” by Pablo Picasso.)

CAN a story, essay, or poem be political without being topical? Of the now, the moment, addressing today’s dark dilemmas and hectic happenings? Can an art form truly be meaningful or important if it never does? After all, literature is supposed to be “news that stays news,” but people forget the first part of the equation: becoming news to begin with.

Which serves as Introduction to our new feature, “Stormtroopers” by New Pop Lit Editor Karl Wenclas. Prodded by his co-editor to run it as a feature, rather than at one of our soon-to-be-jump-started blogs. A story submitted first to a two-week-response-time, relatively prominent literary journal for the heck of it. (Their loss.) A two-week delay! When being topical– “news”– a two-week delay might be crucial. But way better than dinosaur The New Yorker’s six month response time!

State of the moment and state of the art? That’s for you to judge.

From the first day, for Stewart it was go-go-go, like being pushed through a tunnel. Beginning with the Academy, which crammed four months of training into 47 days. A hiring blitz was on. 120 were in his class, which was one of more than a dozen classes at the facility. New agents ranged in age from 18 to 60. If you were an adult, willing, and breathing.

Fall Fiction!

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What’s happening out in the world?

As opposed to, say, in stray literary areas of gentrified New York, where what’s happening among a self-absorbed media elite seems to be an article in Harper’s magazine about, er, self-absorption.

We say, enough! Time for writers to not be as insular as an AI chatbot, but to become interested in other people. To plunge into real-world human experience– the one edge we have over our new programmed, computer-generated competitors– then write about it. As Jeff Nazzaro does in our excellent new feature short story, “Of Music and Men.” All it does is capture our prime goal as a literary site: to present humanity and reality. Isn’t that what art has always been about?

Up here over the South LA freeways, it’s hazy and cool. I stop and let the dirty air wash over me, then I see a man come up the steps, stop at the top, turn, and take a seat one step down from the platform. My friend from the train? I can’t see his face, but no, I don’t think it’s him. And what difference would it make? I walk over to get a closer look. He wears dark pants and a gray hoodie, the hood pulled up and drawn tight. He’s hunched over on the top step, sobbing.

Living In the Actual World

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RECENTLY I read an article about famed film director Stanley Kubrick’s “cool precision.” Not long after, I read about the conflicts Kubrick had with actor Marlon Brando during the filming of the 1961 Western, “One-Eyed Jacks,” which resulted in Stanley Kubrick leaving and Brando taking over as director of the project. Which started me thinking about approaches to writing, and to art in general.

Kubrick, like Hitchcock, Spielberg, and other well-known movie auteurs, was a control freak who saw every shot beforehand, down to the actor’s lines and expression, in his head. Brando wanted a more spontaneous, instinctive approach. We have no idea how Stanley Kubrick’s version of the film would’ve turned out– but we do know that Brando pulled career-best performances from the cast, from Karl Malden, Pina Pellicer, Ben Johnson, Slim Pickens and others, by not asking them to follow perfectly the script, but instead to bring something of themselves to their roles. My thought: That in this robotic age, perhaps in literature as well as in cinema, we need to emphasize the human aspect of life and art.

Which brings us to our new feature, “The Wrong Crowd” by Lyn Michele Stevens. Focus is on the humanity of the two characters, who appear to us as characters, in both senses of the word. Fully-rounded, flawed, real, with back stories which reveal how they came to this point in life. Distinctive, all-too-human personalities which pop out to us from the page. Maybe just a little out of control, not following perfectly an intended script. -KW

Sex aside, the rush of freedom was exhilarating. Everything was a dare. Allie landed a job as a receptionist. Pete played open mics all over town. High on weed and booze, they went to concerts on the pier, museums, the zoo. Anything for free. A year later her body turned on itself. Bladder dysfunction, numbness in her legs. The vertigo was the worst, this wild pulsating city spinning out of control. Pete stayed on, blending protein shakes and snorting coke laced with speed but once she started using the chair because her balance was so unpredictable, the disease took over life.

End of Summer 2025

Pop Lit Fiction

LATE SUMMER! Post-Labor Day. A time of earlier sunsets, cooling nights, and poignant melancholy accompanying the end of summer’s carefree days. A time of change, wistfulness, memories.

Our new feature short story, “Big Lagoon” by Thomas Thonson is a tale about summer experiences and memories, of present merging with past– with persons from the past– an artistic blend of setting and personality, of experience that jumps out at you. With a hint of a surprise which calls into question our narrator, or at minimum, our opinion of him. Or a taste of another dimension. An example of what the fictional literary art can accomplish when all elements work harmoniously together.

A summer story. But is it the best short story of this 2025 summer? We think so!

Going out in that storm was the kind of idea only Marcel would’ve come up with. He was the daredevil, and I was his willing accomplice. He was also a talker––a voluminous, non-stop, wildly imaginative talker. His words could fill you with a sense of expectation, of worlds you hadn’t even dreamed of.

(ALSO stay up to date with everything happening at our Fast Pop Lit site, where everything happens fast, and will get faster.)

Men and Women

Pop Lit Fiction

IN OUR CURRENT social media-dominated environment, there’s much talk throughout the culture about the widening divide between men and women, their minds more-and-more running at cross purposes. On different communication wavelengths. Generated in part by political differences and different perceived individual needs.

Into this maelstrom of disconnection we drop an excellent new feature story, “On the Dance Floor” by Leah Browning, which through the art of fiction artfully and subtly addresses the question– leaving at the end a small ray of optimism? That’s for you the reader to judge.

At dinner one night, listening to his girlfriend ramble endlessly about some reality show nonsense, not even bothering to swallow a mouthful of food before she went on about this drivel, he made the decision, as he had many times before, to break it off with her.

Dystopian Fiction, Dystopian Life

Pop Lit Fiction

A NEW SHORT STORY ABOUT A.I.

Dystopian fiction has been around a long time– at least since Mary Shelley’s still timely 1818 novel Frankenstein: The Modern Prometheus. The difference between her world and ours is that we now find ourselves living in a full-on dystopia, in which we’re losing the distinction between what’s real and not-real, human and not-human. It’s likely to become worse, as tech moguls and venture capitalists are investing hundreds of billions of dollars in AI companies and AI devices– ever more dreamed-up money-grab gimmicks to separate the gullible from their bucks. After all, the AI wave needs to be monetized. Someone needs to pay for it. That targeted someone being YOU. Us. All of us.

ON THAT happy note we present a new short story about one such company and consumer: “Ghost In the Machine” by Andie Weber. It’s fiction. Sure it is.

We hope you like it!

C. Ryan: Yeah, now I’m speaking your language. And AfterLife is the hottest new word in profits. This isn’t just your average chatbot, it’s bigger, better, and way more lucrative—and with the projections our finance department has put together, I can assure you this money-making snowball isn’t going to stop rolling anytime soon.

More 2025 Fiction

Pop Lit Fiction

What should 2025 fiction– of the here and now– look like?

COULD it capture today’s chaotically volatile up-and-down economy and markets? The “let’s make a buck” societal mindset? The culmination of a tech wave of ambitious innovators and hustlers eager to make fortunes? Who are these guys? Have any writers captured the personality and/or mystery of them?

Well, yes– in our new feature short story, “Crypto” by Jonathan Stone, one of the most intelligent short story writers around.

NOT ONLY is it a glimpse of a unique moment of history– this moment– it’s an excellent story, about the pursuit of a kind of excellence. We’re sure you’ll agree when you read it!

Nine figures doesn’t happen every day, but for Mark, its pathway is utterly unsurprising – money that comes from money. Ahmet’s eight figures is inherently far stranger – produced from nothing but an idea, walked into the right receptive investor at the right market moment. When it came time to transfer proceeds – required distributions per the fund charter, and then unloading into cash equivalents when they all dumped their shares – Mark had overseen the allocation to Ahmet’s brokerage account. A deposit requiring phone calls and letters with signatories. Eight figures in a fell swoop. The American dream, on steroids. Or better yet, hallucinogens.

Literature As News

Pop Lit Fiction

LET’S GET RELEVANT!

“Literature is news that stays news.”
-Ezra Pound

Except writers today aren’t even trying to get the first part right. To make fiction and poetry a vibrant part of today’s debates. IF literature is to survive and thrive in this time of new technologies, it needs to become part of the cultural conversation. Literature carries into this battle unique assets: its ability to not only describe everything happening, supplemented by the reader’s own experiences and memories– without the expense and apparatus of television and movies– but also to move inside the heads of people, to understand them and to show what they’re feeling and thinking. Because writing consists of condensed information– still the quickest, most efficient and least expensive way of communicating knowledge (letters and words a sophisticated data network)– it can address current issues and events quickly. To compete in this hyper-noisy age it needs to address the world quickly, in compelling, insightful and knowledgeable ways. Which we attempt to do in our new feature story, “The Advisor” by New Pop Lit editor Karl Wenclas. We hope you read it.

Allison noted the room’s evident props. Paintings of several past presidents, prominently displayed. The current president had added his own pagan touches– garish gold statuary. In-your-face exhibits of his well-known lack of taste. Allison realized that for the Advisor, the President was himself a prop. Allison by now knew the Advisor’s worldview– he admired the orange man, but only as a historical relic. As if P.T. Barnum or Colonel Tom Parker were in the room. A cutting-edge businessman for his time– master salesman– but his time had passed.

ALSO: Speaking of fiction, we have a flash fiction piece– about an overturned salt truck and other things– by the one-and-only M.C. Schmidt now up at our Fast Pop Lit site. The title: “Mandala.” How is that topical, you ask? Well, here in Michigan it snowed yesterday. Talk about good timing!

The Three-Dimensional World

Pop Lit Fiction

MULTIPLE VIEWPOINT FICTION

TODAY we offer a multiple viewpoint story, “The Museum of Jeremy’s Summer” by Andrea Donderi. Why do we like multiple viewpoints? Because it’s a way to present a more rounded, three-dimensional view of reality. We’re all raised in two-dimensional corridors where everything is a linear progression. Grades, schools, hierarchies. Stepping ever onward, farther, faster, on treadmills like hamsters. Like our mad technocratic society. “Progress.” Culminating in humanoid robots and AI devices doing our thinking for us. The writer’s task is to pause for a moment to address where we’re at, describing the people and world around us. Which Andrea well does.

ABOUT our new story: It’s subtle, the kind of artistic work which sneaks up on you, gradually immersing you into the narrative, its setting and characters, then suddenly. . . Impact! We know you’ll like it.

There’s something about how Christabel drives, slow, crouching over the wheel, her foot probably hovering on top of the brake —such a contrast with her crisp city linen clothes and sleek dark hair and that English voice of hers. And the way she and Jeremy keep glancing over at each other, just to check that everything’s okay. What kind of guy stays away all summer from a woman like Christabel and a kid like Jeremy? An English guy, evidently. Name of Adrian.

ON OTHER FRONTS

WE’RE SERIOUS about getting our Open Mic feature going again. See our latest post at it– “Life Cycle” by Kyle Van Horn— one more of the many new literary talents out there.