All About Poets

Pop Lit Fiction

SAN FRANCISCO!

–a long-time center of America’s poetry scene, filled with memories of legendary poets Kenneth Rexroth, Allen Ginsberg, Michael McClure, Lawrence Ferlinghetti, and so many others– and legendary poetry readings such as the one at Six Gallery.

TODAY we have a feature story set in San Francisco, about poets: “My Poet Friend” by San Francisco writer-poet William Taylor Jr. A story of atmosphere and humor centered around one poet in particular, who is– like so many practitioners of the poetic art– a character.

More, it’s a story about the lives of struggling writers. Many of us struggle for years and never “make it”– but writing is not about making it. Being an artist of any kind is about the mad pursuit and the lifestyle and the experience. Creating and sharing those creations, and in turn, experiencing the works– the sounds, images, words– of others. Always learning, opening brain pathways, developing spiritually, hopefully, while experiencing more vitally and viscerally than many the echoes of life. Falling short in our artistry, maybe, but leaving behind some legacy or trace we were here, or at least leaving our carcass on the slopes of the artistic mountain we were trying to climb.

Anyone having met writers both high and low knows the more authentic version is the poet friend found in William Taylor’s entertaining story.

My poet friend returned to the bar and we drank in silence, looking at the girls and wrestling with our existential dread. The Revolutionary Poets got louder and drunker as the night went on, their table crowded with half-empty pitchers of beer as they argued about poetry and politics. Linda was standing now, swaying a bit as she drove her points home, wine sloshing out of her glass.

New Fiction 2023

Pop Lit Fiction

ALREADY one month into the New Year and we finally put our first fiction feature up at our site. (A sign of our selectivity? The benefits of waiting?)

The story is “Glow Worm Farm” by Kathy Lanzarotti. One of the rare stories where both NPL editors not only agreed on the selection, but 100% agreed, in that we’d both give it scores of 10 out of 10. The question: Why?

Perhaps because it’s a template for an ideal short story circa 2023, when the task is to make the art form relevant and compelling. The story has it all– acknowledgment of the madness of today’s world, including the future of that world (robots)– with swipes at media and consumerism– with no shying away from politics, in highlighting violent aspects of the current extremist political landscape. Ostensibly set three years into the future, the tale makes the reader realize that future is here. The story contains also, amid the madness, an embrace of the natural, the living. That which gives life meaning. We’ve run a series of topical stories of late– as well as stories with great sensibility and emotion. “Glow Worm Farm” scores on both counts.

Topicality and emotion: a powerful combination. Must reading for anyone interested in where short fiction is now, and where it’s going. Where it should be going.

When the National Guard arrived, most of the neighbors were outside. Sarah watched them trade rumors from the nutshell of her porch swing. Mayberry on her lap. A cup of cinnamon coffee in her green mug that read, I’m a Ray Of Fucking Sunshine. Rumors and speculation was all anyone had at that point. The WiFi and cell service, TV and radio, stopped with the blast. Sarah was no scientist but she’d watched enough movies to know this wasn’t a good sign. And then there was the sky, cast a hazy pink orange that was both light and dark at the same time.