Are Fast Food Poems Pop?

Poetry

DILEMMAS OF CORPORATE CULTURE

ARE fast food poems pop? Or art? Andy Warhol would argue they’re the essence of pop art.

Corporate culture is ubiquitous and it’s also America’s addition to the culture of the world. Coca-Cola wasn’t simply a brand. It advertised American populist ideology to the planet. Some might call it cultural imperialism and others would say it’s only a soft drink.

Jimmy John’s is just a sandwich.

Where do we draw the line? Is the intersection of art and commerce allowable? The bigger question: Is it avoidable?

Our take: If a competing literary site can dedicate their entire oeuvre and reason-for-being to a fast food taco chain, then we can present three terrific prose poems about Jimmy John’s.

Chelsea Sieg is one of the best young writers we’ve come across in a while. A writer with the rare ability to combine humor and poignancy with a perfect flow of words so that afterward you shake your head at the accomplishment. Three prose poems: “The Jimmy John’s Poem Collection.” Read them.

it was a simple, quiet, two am kind of happiness, the kind you don’t have to think that hard about. it was a small, soft hope. and I would have eaten every sandwich on the goddamn menu, mustard and all, to keep it alive.

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(Art: “Still LIfe with a Beer Mug” by Fernand Leger.)

Adventure and Style in Fiction

Pop Lit Fiction

STANDARD in classic fiction of the past, especially from short story writers, was a sense of style or adventure– or both. Jack London and O. Henry emphasized adventure— albeit very different types of adventure: wilderness and oceans on the one hand, stray unpredictable adventures which could assault a person in cities like New York on the other. Writers Edith Wharton, Henry James, and F. Scott Fitzgerald placed more emphasis on the kinds of styles exhibited by their characters, and from the sophisticated settings in which they moved. This was back when the short story was the popular American art form.

Today we present a story which captures that much-needed sense of mystery, adventure, and style, “The Names Divine” by C. A. Shoultz. Our first feature of 2021, with more to follow.

In due course they arrived atop the stairs. Simon walked beyond the masked man and beheld a table covered in black velvet. A sign above it, written in gold script, said: “Choose your mask. Choose your name.” Sure enough, upon the table were a small number of masks just like his escort was wearing. They were widely and irregularly spaced apart, a sign that many others had come here before him and done what he was about to do.

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(Art: Above: “At the Masked Ball” by Jean-Louis Forain. Below: A section of a poster for a movie by Gaumont Films.)

Welcome 2021!

Announcement

FOR US and what we’re trying to accomplish with this project, 2020 was a learning year. Learning not only about paper, printing, and design– which will pay dividends (we hope) with our print publications this year, but also, further learning about what does and does not work with the short story regarding pace, viewpoint, momentum, the ending, and much else. Our philosophy is simple: Always Be Improving.

WE BELIEVE more than ever the short story can be much better than it is now, or has ever been. The trick is perfecting new techniques to prove this.

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COMING to this our main site early this year will be new work by talented writers such as Charles Shoultz, Chelsea Sieg, and Tom Preisler. Fiction, prose poetry, poetry– and much else. We’re very selective– we have our own unique standards– but the one thing we look for is talent. New talent wherever we can find it. Follow us or otherwise keep up with what we’re doing, because a lot is going to happen in 2021.

IN THE MEANTIME, check out the latest post at our NEWS blog. Thanks!